• location: Poland, Łódź, ul. Milionowa 4B
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil,Agnieszka Morga-Bałamut, Monika Węglińska-Szymczak, Marcin Lech, Aleksandra Rodo-Krasnokucka, Anna Fus, Katarzyna Klimasz, Bożena Wróbel, Jagoda Kus, Marija Gawąd, Ewa Zielonka – Mossoczy, Michał Laskowski, Mateusz Małecki, Aleksandra Mazur, Tymoteusz Sapa
• construction: Industria Project
• industries: Industria MEP
• road design: Seweryn Wróblewski
• administrative procedures: BZB Projekt
• facade design: Studio Profil
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• conservation work program: ARCHI-PROJEKT Szymon Herman
• investor: Echo Investment
• usable floor area: 1 681 sqm
• design: 2019-2020
• realization: 2023
• certification: BREEAM 2016 New Construction: Commercial – very good (interim)
• investment website: https://fuzja-echo.pl/

• Location: Poland, Warsaw, al. Jana Pawła II 23
• Architects of Medusa Group + MHM: Łukasz Zagała, Przemo Łukasik, Florian Molzbichler, Sebastian Haselsteiner
• Associate architects: Dawid Beil, Miłosława Niezgoda, Aleksandra Nowak, Marko Maric, Magdalena Tamoń – Będkowska, Monika Rychlicka – Borzechowska, Maciej Rudecki, Joanna Jakimiuk, Magdalena Cichosz, Katarzyna Bobrowska, Patrycja Stołtny – Sapko, Natalia Duczmal, Jacek Pisarczyk, Kamil Szołtysek, Michał Sokołowski, Aleksandra Mazur, Michał Laskowski, Mateusz Małecki, Michał Gawron, Damian Mikrut, Adil Krasniqi
• Construction: Buro Happold
• Installations: Buro Happold
• Facade design: Studio Profil
• Investor: STRABAG Real Estate
• General contractor: STRABAG
• Office area: c.a. 35 900 sqm
• Design: 2019 – 2022

• location: Poland, Warsaw, ul. Twarda 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Sołjan, Anna Szuba-Białas, Izabela Moskal, Magdalena Stanik-Banasik, Michał Laskowski
• usable floor area: 528,08 sqm
• investor: TDJ sp. z o.o.
• design: 2020
• realization: 2020/2021
• photographs: Tomasz Zakrzewski

Office and administration building with underground garage and landscaping

• Location: Poland, Warsaw, Żerań
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Wojciech Funkiewicz, Magdalena Kołłątaj, Jan Wichrowski, Marta Boryczka, Agnieszka Kuczyńska, Agnieszka Majcher-Lisowicz, Michał Sokołowski, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur
• Investor: CD PROJEKT S.A.
• Landscape architecture: Florabo, KASS
• Construction and installations: WSP Polska
• Facade design: Studio Profil
• Roads: Civil Transport Designers s.c.
• Fire protection: PROTECT
• Usable floor area:: 5611,12 sqm
• Design: 2020-2022
• Realization: under construction

The designed building is characterised by a simple cuboidal form, which results from the assumption adopted at the initial design stage of the least aggressive interference with the surroundings and the emphasis on maximum efficiency and flexibility of the designed volume from the point of view of the facility’s purpose.

The building’s architecture uses economical means of expression, but at the same time is an individual and original spatial composition that corresponds to the guidelines of the WZiZT Decision. The form of the building is the result of optimising the usable space in its interior, which has been designed to provide a functional and efficient arrangement. The adopted depth of the tracts and the division of the windows create many possibilities of configuration and ways of dividing the space depending on the Investor’s needs, at the same time ensuring excellent access to daylight for all the office rooms.

The building has six usable above-ground levels, two underground levels and a technical zone and a utility zone on the roof.

The designed building is intended to provide a modern, functional and maximally flexible space for comfortable office work, taking into account the specific working conditions of the video games industry, and to meet the Investor’s ambitions to create architecture that will be a showpiece of the future CD Projekt campus. The activation of a degraded, post-industrial district of Warsaw, openness towards its inhabitants, emphasis on pro-ecological and low-emission solutions as well as responsibility and care for nature, which the Investor is guided by when initiating this project, will constitute the basic design assumptions for the subsequent stages of the investment. This concept is an attempt at a comprehensive response to the design problem posed in such a way, taking into account the demands of the Investor at every stage and in every aspect of the facility’s life and within the framework of all the trades involved in its implementation.

The building is environmentally friendly, which manifests itself, among other things, in low energy consumption, low emissions into the atmosphere, the use of appropriate environmentally friendly building materials and technical equipment. At the stage of this project, an office function was initially assumed on each above-ground floor, with office and conference functions on the ground floor.

• location: Al. Roździeńskiego 1, Katowice / Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Dawid Beil, Łukasz Pieszka, Aleksandra Nowak, Kuba Pudo, Paulina Skalska, Kasia Chobot, Klaudia Matura, Mariusz Okrajek, Aleksandra Weber, Paulina Witaszczyk, Mateusz Florczak, Michał Sokołowski, Konrad Basan, Mateusz Rymar, Piotr Dećko, Justyna Siwińska-Pszoniak, Dorota Pala, Anna Struska, Daria Cieślak, Seweryn Wróblewski, Michał Bienek, Tomasz Toczek
• interior architects: Katarzyna Chobot, Mateusz Florczak, Maria Jaksik-Fikus, Klaudia Matura, Aleksandra Nowak, Mariusz Okrajek, Łukasz Pieszka, Jakub Pudo, Paulina Skalska, Tomasz Toczek, Aleksandra Weber, Paulina Witaszczyk
• landscape architects: Katarzyna Chobot, Mateusz Florczak, Maria Jaksik-Fikus, Klaudia Matura, Aleksandra Nowak, Mariusz Okrajek, Łukasz Pieszka, Jakub Pudo, Paulina Skalska, Tomasz Toczek, Aleksandra Weber, Paulina Witaszczyk Seweryn Wróblewski, Krzysztof Kass (Kass – Architektura krajobrazu)
• construction: Firma Inżynierska STATYK, Katowice
• installations: CE Group, Gliwice; Instac, Stara Iwiczna
• facade design: Studio Profil, Warszawa
• fire protection: Janusz Siata
• signage: Magdalena Odrzywolska, Joanna Katańska, Maria Jaksik-Fikus
• signage realization: Kolektyff (stage 1), Studio Bardzo (stage 2)
• investor: TDJ Estate Sp. z o.o.
• usable floor area: 62 000 m²
• design: 2016
• realization:
  • 1st tower: 2018;
  • 2nd tower: 2022
• certification:
  • BREEAM Excellent,
  • WELL – Health-Safety
• photographs: Szymon Król, Juliusz Sokołowski, Wojciech Radwański, Tomasz Zakrzewski
• awards:
  • CIJ Awards Poland 2022 in category: Best National Office Development of the Year,
  • Prime Property Prize 2022 in Architecture category,
  • European Property Awards 2022 in Commercial High-rise Architecture category,
  • Honourable mention in the 4th edition of the “Object of the Year in Aluprof Systems 2022” competition
  • SARP (the Association of Polish Architects) Award of the Year 2022 in the category “office, education or administration building”,
  • 2nd place and the audience award in the “Object of the Year in Aluprof systems” competition.

The .KTW project is located in an important urban location in Katowice, near the intersection of the most important transport arteries running north to south and east to west. The construction of the towers began when the contemporary layout of the development, following the idea of the ‘axis of culture’, was already clearly defined and realised with buildings: Silesian Museum, the building of the National Polish Radio Symphony Orchestra and the International Congress Centre. ‘Axis of culture’ is a contemporary errata to the historical urban planning of the region, respecting the planning decisions of the city. The .KTW buildings honour and sanction, as it were, a new direction of transformation.

The essence of our shaping of the new buildings was the continuation of the original assumptions and the search for a dominant feature, but not the creation of a new icon of Silesia. The .KTW towers filled the plot of land left by the building of the Office Building of the State Railway District Directorate (DOKP), a high-rise building designed by one of the most important local architects of the 1950s and 1960s, Jerzy Gottfried. It is crucial when looking at .KTW to realise that the decision to build high was therefore made much earlier. It was imposed, as it were, by the 90-metre DOKP building itself.

The architecture of .KTW is a composition with a character alluding to the prominence of its representative location. The exposure of the towers on the side of Chorzowska Street and on the side of the Market Square from Korfantego Avenue makes the buildings create a clear orientation of the new, functional centre of Katowice. From the north and west, the buildings are adjacent to Spodek Square flanked from the northeast by the ICC building, creating a unified composition with them. The ground floors of .KTW are intended to complement the existing service and catering spaces that were lacking in this part of the city centre.

The new office and service development complex consists of two Class A buildings with three levels of underground parking for cars and landscaping. Building A, located on the side of the International Congress Centre, was designed with 14 overground storeys, while building B on the side of Roździeńskiego Avenue had 31 overground storeys.

The aim of the project was to complement the cultural and leisure functions with a modern and functional complex of office and service buildings, offering flexible spaces for comfortable work and leisure activities after hours. We developed the project in accordance with current Class A office building standards and based on the guidelines for BREEAM certification at the Excellent level. The buildings are environmentally friendly, which manifests itself, among other things, in low energy consumption, low emissions into the atmosphere, the use of appropriate environmentally friendly building materials and technical equipment.

We wanted to create architecture that was restrained in form, not a stunning or frivolous work of art. We gave the new towers the features to perpetuate our perception of Silesia, where we originated. The architecture uses simple, elegant and timeless means of expression, forming an individual and original spatial composition that responds to the local context. The buildings therefore adapt easily to their surroundings, while not lacking a certain spunk, energy and dynamism. We touched them by moving the modules in relation to each other and giving them an individual architectural form. The designed structure of the moved blocks is the result of the consecutive, upward-sloping arrangement of the cuboidal blocks of the Silesian Museum and the NOSPR. In addition, the form of .KTW, devoid of rounded shapes, was not intended to compete with the mass of Spodek.

The genesis of this project is also an attempt to find a contemporary form that corresponds to the function these buildings are to serve. Thus, we have been balancing on the borderline of the classical understanding of composition, through which we emphasize the stage of change in which Katowice has found itself and how strongly the forces related to the development of new technologies, the potential of companies and the people working here influence the contemporary image of the city. .KTW is also a new look at the office function. Business in a different dimension, not only looking at the city skyline from behind a glass façade, but giving breath thanks to balconies, terraces and greenery that will soon complete the project. We hope that the architecture of the .KTW buildings will stand the test of time and that they will grow firmly into the fabric of Katowice.

The biggest design problem was putting the towers on a foundation in an area where coal was mined until recently. The second tower of .KTW is currently the tallest building in Katowice, so we paid particular attention to the ground conditions. The project was a major architectural and structural challenge for our studio.

• location: Poland, Łódź, ul. Milionowa 4-4A
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Agnieszka Morga-Bałamut, Aleksandra Rodo-Krasnokucka, Monika Węglińska-Szymczak, Marcin Lech, Karolina Kossmann, Magdalena Cąkała, Paulina Kałużna-Stawinoga, Anna Fus, Katarzyna Klimasz, Bożena Wróbel, Jagoda Kus, Marija Gawąd, Ewa Zielonka – Mossoczy, Michał Laskowski, Mateusz Małecki, Aleksandra Mazur, Tymoteusz Sapa
• construction: Industria Structure
• industries: Industria MEP
• road design: Seweryn Wróblewski
• administrative procedures: BZB Projekt
• facade design: Studio Profil
• signage: Joanna Katańska
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• conservation work programme: ARCHI-PROJEKT Szymon Herman
• investor: Echo Investment
• usable floor area:
  • building C: 8 987,4 sqm
  • building D: 9 397,1 sqm
• design: 2019-2020
• realization: 2022
• photographs: Rafał Tomczyk
• website: https://fuzja-echo.pl/

The office buildings of the Fuzja complex are being built on the site of the historic Scheibler-Grohman industrial building complex in Łódź. As a piece of history commemorating the place and function, the historic wall on the northern side has been preserved and incorporated into the body of the northern office building.
The distinctive feature of the buildings are the designed elevations – they have been designed with the use of common facade systems with blinds used in an unconventional way. The blinds, which are usually installed horizontally and function as a shield for ventilation of the technical areas of the buildings, have been used as façade cladding in the case of the designed office buildings. By installing the blinds vertically, a unique rhythm of façade elements was obtained by varying the directions in which they are arranged to the right or left, which produces a different visual effect depending on the time of day and the amount of sunlight.

• Location: Poland, Poznań, Nowy Rynek, ul. Wierzbięcice/ks. Jakuba Wujka
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Maria Jaksik-Fikus, Dawid Beil, Aleksandra Nowak, Joanna Jakimiuk, Magdalena Cichosz, Mateusz Florczak, Maciej Orlicz, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur, Michał Sokołowski
• Construction: Bud-Ekspert
• Installations: Termo Studio, Janura
• Facade design: Studio Profil, Esox
• Investor: Skanska
• Usable floor area: 33 435 sqm
• Design: 2018
• Realization: 2021
• Awards:
  • European Property Awards 2022: Best Office Architecture Poland,
  • PLGBC Green Building Awards 2022: best certified green building,
  • J.B. Quadro Prize of the President of Poznań: distinction.
• Photographs: Przemysław Turlej
• Certification:
  • LEED Core and Shell Platinum,
• • WELL Health-Safety-Rating,
• • WELL Core and Shell Gold,
• • Barrier-free building

The Nowy Rynek investment is a multiphase mixed-use project. The office building is part of it, being an added value for the city, showing that the surroundings are just as important as the quality of the offices themselves. The New Market is distinguished by its unique and original façade, which shimmers in shades of green turning to a rusty pink towards the top. The lower storeys feature glass storefronts that aim to lift the building off the ground. In order to give the building a lighter appearance, the character and colours of the façades were varied and covered with a vertical arrangement of angles, which also act as shades.

It was important for us to link the complex to the Wilda residential area, so that the mass of the office building does not dominate the neighbouring buildings. The design of the bulging structures and terraced arcades was intended to break up the massive mass and give it some visual lightness and subtlety. The grand patio and its shape generates a dynamic experience for the users thanks to the changes of light, reflections and colors throughout the day.

• location:Poland, Łódź, ul. Kilińskiego
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Justyna Siwińska-Pszoniak, Małgorzata Spyra, Agnieszka Szewera-Drozda, Mateusz Skalski, Maciej Spiess, Małgorzata Kasińska, Anna Przybyłka, Damian Langer, Seweryn Wróblewski, Michał Sokołowski, Konrad Basan, Mateusz Rymar, Krzysztof Weber, Piotr Dećko, Michał Laskowski, Katarzyna Chobot
• investor: SKANSKA
• construction: Industria Project
• installations: CE Group, BZB Projekt (administrative procedures)
• facade design: Studio Profil
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• road design: Seweryn Wróblewski
• comic authors: Tomasz Kaczkowski + Kolektyf
• signage: Joanna (Sowula) Katańska
• total area: 40 000 sqm
• design: 2015-2017
• realization:
  • building A: 2020
  • building B: 2019
• certification: LEED · Core and Shell (v2009) · Gold
• photographs: Rafał Tomczyk
• awards:
  • ICONIC Awards 2020 / Innovative Architecture
  • Property Design Awards 2020
  • “Modern Pearl of Lodz” during the 5th edition of the plebiscite Perły Łodzi

The City Gate building is a link between the old city and the so-called New Centre of Łódź. It encompasses part of the inner city connecting business, transport and culture. The project consists of two buildings (A and B). The premise opens up to Łódź and its inhabitants. This has been emphasised in the design by a discreet separation of the blocks, creating a symbolic gateway to the new city. The glass used in the space between the buildings creates a mirror effect by reflecting the surroundings. This bonds the volumes even more strongly to the fabric of the city.

The façades, covered with a mosaic of corten and black sheet panels, give the volumes a spatial dimension, creating impressions that change with the point of view. The dance of these large volumes becomes dynamic from the perspective of those travelling along one of the thoroughfares that run in the vicinity of the buildings.

In addition to the industrial materials used on the façade, the design also makes use of the brick used on the floors. The materials allude to the industrial character of the city. The architecture of the City Gate is inspired by the brick aesthetic that dominates Łódź’s historic buildings, but uses a contemporary language. Rust-coloured corten combines old conditions and modern needs.

Proud of its traditions, Łódź is today simultaneously associated as a city of festivals, fashion and design weeks attracting young, creative people. The aesthetics of the City Gate reflect this, which is why the interiors of all the lift halls are covered with cartoon graphics alluding to the 19th-century traditions of industrial tycoons important to the city’s history.

The City Gate opens up not only formally, but also functionally. Service and catering establishments have been designed on the ground floor. The buffer between the buildings is filled with recreational spaces arranged as a green enclave of the New Centre of Łódź.

Part of the ground floor provides a coworking area for employees and their visitors. The canopy of the exit ramp to the garage is designed as an arrangement of wooden bleachers where office workers can take a break. On summer evenings, this space can serve as an auditorium for an open-air cinema, drawing on the rich traditions of the Łódź Film School.

• location: Cracow / Poland, Podole Street
• investor: BUMA INWESTOR 25
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Agnieszka Morga, Aleksandra Rodo-Krasnokucka, Jagoda Kus, Lechosław Słomka, Monika Węglińska-Szymczak, Ewa Zielonka-Mossoczy, Karolina Szczygieł, Marta Rejniak, Michał Sokołowski, Mateusz Rymar, Michał Laskowski, Piotr Dećko
• construction: TEQUM sp. z o.o., Kraków
• installations: TEQUM sp. z o.o., Kraków
• facade design: Buma Factory
• landscape design: Kass – Architektura Krajobrazu
• fire protection: Janusz Siata
• signage: Joanna Rodo / Kolektyf
• usable floor area:  17 760 sqm
• design: 2017
• realization: 2019
• certification: BREEAM · International 2013 New Construction: Offices · Excellent
• photographs: BUMA

• location: Roździeńskiego 1, Katowice / Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Magdalena Kołłątaj, Anna Szuba-Białas, Natalia Sołjan, Marta Kwolek, Agnieszka Pliwka, Michał Sokołowski, Michał Laskowski, Krzysztof Weber, Mateusz Rymar
• installations: WN Projekt
• signage: Joanna Katańska, Kolektyf
• investor: KTW sp. z o.o.
• usable floor area: 1413,74 sqm
• design: 2018
• realization: 2018
• photographs: Tomasz Zakrzewski
• awards: Office Superstar 2019 – 1st prize in ‘the Financial Industry Office’ category

TDJ’s office is located on the 6th floor of the KTW office building in Katowice, offering a panoramic view of the city. The interior reflects the company’s values: faith, responsibility, cooperation, openness and reliability, which we wanted to portray in the overall character of the space. The interior design combines the Silesian identity of the place with modernity, elegance and the highest quality.

The materials used in the design were chosen for their quality, nobility and honesty, and to become even more charming and durable over time. These include oak wood and dark Shou Sugi Ban wood – charred on the surface in the process of an ancient Japanese technique that protects the material and gives it a unique depth of colour. This is complemented by copper accents, which harmonise elegantly with the minimalist colour scheme, consistent with the colours of the TDJ logo.

• location: Poland, Warsaw, Q22 building – 35th floor
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Agnieszka Pliwka, Natalia Krzeszowska, Anna Szuba-Białas, Marta Kwolek, Tomasz Budziński, Michał Sokołowski, Mateusz Rymar, Piotr Dećko, Michał Laskowski
• graphics: Kolektyf
• investor: Echo Investment
• usable floor area: 866,06 sqm
• design: 2016-2017
• realization: 2017
• photographs: Tomasz Zakrzewski

• location: Poland, Cracow, ul. Czerwone Maki
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Agnieszka Morga, Lechosław Słomka, Aleksandra Rodo, Renata Szymik, Katarzyna Kruszenko, Sabina Sieczkowska, Michał Sokołowski
• investor: BUMA INWESTOR 6 spółka z ograniczoną odpowiedzialnością S.K.A
• total area: 44 878 sqm
• usable floor area: 21 394 sqm
• design: 2014
• realization: 2017
• cerification: BREEAM · International 2013 New Construction: Offices · Excellent
• photographs: Tomasz Zakrzewski

• location: Poland, Łódź, ul. Składowa / Nowowęglowa
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Justyna Siwińska-Pszoniak, Paulina Adamczyk, Mateusz Skalski, Konrad Basan, Maciej Spiess, Tymon Czyżewski, Damian Langer, Seweryn Wróblewski
• construction: figura.team
• industries: Elsanteam (water and sewerage), eNNpro (electrics), WN-PROJEKT (hvac), BZB Projekt (administrative procedures)
• investor: Skanska
• floor area: 21 300 sqm
• design: 2015
• realization: 2017
• photographs: Rafał Tomczyk, Skanska’s materials
• awards: distinction in the competition “Object of the year in Aluprof systems”
• certification: LEED · Core and Shell (v2009) · Gold

Łódź, like Silesia, is an industrial substance characterised by moderation, universality, typification and pragmatism. Looking for a simple yet functional idea for the façade of the building that was to flank the new Łódź station square, we reached for a repetitive module of cable trays. We decided that the functional use of these elements in the design of a simple office building would work perfectly in Łódź, a city that is full of examples of solid, functional and pragmatic architecture. The openwork form of the perforated troughs made it possible to introduce a play with light, while at the same time providing an opportunity to optimise the cost of the building façade itself.

We used a material – an object that had not been used in such a context before. It turned out that the lightweight yet rigid form of the factory-galvanised elements was perfect for this type of application. The perforated structure and the uneven rhythms of the modules will reflect light once and seep through again, constantly changing the appearance of the building.

The use of brass-coloured trays made it possible to ‘dress’ the simple block in a customised package, giving it a completely new, noble expression.

The walls on the courtyard side, in turn, were finished with standing seam sheet metal in a brass shade that was reminiscent of the external façade.

The courtyard itself, on the other hand, was to be user-friendly for the building’s users and open to the people of Łódź. We have introduced greenery into it, seats on the stands, electrical sockets in them, but also a summer cinema screen. All this means that by realising the Nowa Fabryczna building we have given the city’s residents an attractive space and a new quality.

• location: Poland, Warsaw
• interior design of common areas of office buildings : Medusa Group
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Bartłomiej Karaś, Anna Struska, Michalina Adamczyk, Anna Szuba-Białas, Anna Jabłońska, Michał Bienek, Grzegorz Dalmata, Michał Sokołowski, Konrad Basan, Mateusz Rymar
• office building architecture: JEMS Architekci
• Signage: Kolektyf
• graphics: Kolektyf, Mamastudio
• investor: Hala Koszyki Grayson Investments sp. z o. o. sp. k.
• floor area: 1 180 sqm
• design: 2015-2016
• realization: 2016
• photographs: Juliusz Sokołowski
• awards:
  • Property Design Awards 2018 – special jury award,
  • First prize in the category “Export work of Silesian architects” in the Architecture of the Year of the Silesian Voivodeship 2017 competition,
  • Grand Prix in the 3rd edition of the competition for the Architectural Award of the President of the City of Warsaw,
  • SARP Award of the Year 2016 – distinction,
  • Property Design Awadrs 2017 in the category ‘Interior Design – Shopping Centre’,
  • Architectural Award of Polityka 2016 – finalist.

• Location: Poland, Radzionków
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Dorota Pala, Anna Struska, Michał Bienek, Bartłomiej Karaś, Michalina Adamczyk, Anna Szuba-Białas, Grzegorz Dalmata, Justyna Siwińska-Pszoniak, Paulina Adamczyk, Konrad Basan, Michał Sokołowski
• Ivnestor: KPE Nieruchomości S.A.
• Contractor: Milimex Sp. z o.o.
• Construction: figura.team
• Usable floor area: 900 m
• Design: 2015
• Realization: 2016
• Photographs: Tomasz Zakrzewski
• Awards:
  • Grand Prix and first prize in the “Object” category in the Architecture of the Year of the Silesian Voivodeship 2017 competition.
  • European Property Awards 2017 – Best office architecture in Europe and Poland.

• Location: Polnad, Bytom, Szombierki ul. Zabrzańska 7
• Authors / initiators: Jan Wichrowski, Rafał Dziedzic, Michał Sokołowski, Przemo Łukasik
• Cooperation / assistance: Dominik Sielski (production); Karol Boguś (production asistant); Przemek Potyka, Marcin Woźniak (lighting); Patryk Domałeczny, Szymon Wrodarczyk (sound); Grzegorz Orłowski (mountaineering support); Ra2nski, Marcin Lech, Adrian Mikos (photo/video); Łukasz Chmiel, Kajetan Wichrowski, Bartosz Łukasik (assistance with installation), Jacek Wichrowski (logistics support); Maciek Wichrowski (mountaineering equipment); Michał Pieczonka (transportation); Michał Tomczak (iGuzzini lighting); Miłosz Jaksik (www).
• design: 2022
• www: sos-szybkrystyna.pl

• location: Poland, Klecza Dolna
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Anna Gołyga, Magdalena Stanik-Banasik, Katarzyna Chobot, Jagoda Kus, Agnieszka Szewera-Drozda, Sandra Przepiórkowska, Marta Boryczka, Łukasz Pieszka, Jakub Pudo, Sabina Sieczkowska, Lechosław Słomka, Grzegorz Pietraszuk, Daria Cieślak, Dorota Pala, Izabela Moskal, Anna Szuba-Białas, Aleksandra Mazur, Tomasz Drozd
• investor: Fundacja Campus Bemke
• construction: Figura Team
• installations: Elsanteam, eNNpro, WN-PROJEKT
• landscape design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• road design: Seweryn Wróblewski
• plot area: 14 153 sqm
• usable floor area: 3 312 sqm
• design: 2022-2023
• realization: under construction

Campus Bemke, which appears in the investor’s name, is a multi-phase project in which the construction of several educational facilities with an extensive surrounding area is planned. The school for years 4-8 is the first of these.

The building, consisting of several blocks – ‘chattel houses’ – tries to fit into the surrounding context and landscape. Contrary to the first impression, the broken-up volumes of the individual houses are connected to each other at ground level. This shape has allowed the school to blend in with the considerable differences in the terrain.

The façade material is also distinctive – ceramic moulding, which refers to the history of the site. Over a century ago, a brickworks was built there. The moulding covers all facades and also the roofs of the building.

In addition to the core curriculum of the primary school, less typical spaces have been planned in the building. The western section is entirely dedicated to specialist laboratories, where, in addition to a chemistry or physics room, there will also be a sewing and photography workshop, a prototyping and electronics workshop. There will also be places where pupils can spend time during breaks. One of these is a pergola located on the school grounds.

• location: Dhaka, Bangladesh
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Łukasz Iwan, Paulina Słocińska, Łukasz Chmiel, Aleksandra Weber, Anna Gołyga, Kuba Świdziński, Jarek Przybyłka, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur, Michał Sokołowski
• investor: private
• design: 2019

• location: Poland, Warsaw – Wilanów, ul. Świętej Urszuli Ledóchowskiej 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Beata Bańka, Mariusz Okrajek, Anna Pawełczyk, Jarosław Przybyłka, Michał Sokołowski, Mateusz Rymar, Konrad Basan, Piotr Dećko, Michał Laskowski
• signage & graphics: Kolektyf
• investor: Tacit Investment S.A.
• construction: Firma Inżynierska STATYK
• installations: Cegroup
• total area: 4961 m²
• photographs: Juliusz i Jędrzej Sokołowscy
• design: 2015
• realization: 2017
• certification: LEED Platinum
• awards:
  • ICONIC Awards 2020 / Innovative Architecture
  • European Property Award 2019 – 2020 – Grand Prix in the category: public building architecture
  • Nomination in European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2019
  • Architectural Award of the Mayor of the City of Warsaw – the best public building
  • POLITYKA Architecture Award 2018 – distinction
  • SARP Award of the Year 2018 – distinction
  • Property Design Awards 2018 in the category Design – Interiors: Public Facilities

This school has two faces: an urban one, with an urban facade that is simple (facing the city and the Temple of Divine Providence), and another youthful, semi-private one, in which all the varied lives of students and teachers will take place, as if from the Dead Poets Society. These were two worlds separated by a simple, uncluttered façade of the monumental 10-metre-high kind.

Behind the walls of the academy, a huge stand catches the eye. It is the universal element, a meeting place to inspire students and teachers for unusual lessons in PE, geography, biology or literature. Through this scaled-down piece of furniture, we wanted young people to get outside, but away from the hustle and bustle of the city. We wanted to design a place where young people could meet up with friends between classes. Already during our presentation to the investor, in order to exaggerate this atmosphere a little, we showed an excerpt from the film ‘Grease’, starring John Travolta and Olivia Newton-John, in which this American stand is more than just a place to watch athletic competitions or American football games – it is also a place for meetings, crushes, but also discussions with teachers, etc. We wanted to give the school something that would make it a place where young people could get together with their friends between classes. We wanted to give this school something to distinguish it beyond its attractive halls and interesting functional programme.

A canteen closer to a trendy restaurant. This is our way of conceiving of a contemporary common room. The main difference is that this place is not only open at lunchtime, but operates continuously changing its functions, from a canteen, to a cafeteria with a reading room and a living arteteca. It’s a place where you can work with literature, meet with a psychologist, wait for parents and, at the same time, sit at a laptop and do homework while preparing an essay. We wanted students there to learn the culinary arts from the kitchen in small groups, explore flavours and take inspiring culinary journeys – geography and gastronomy in one. That is why we have decided to extend this programme to include the roof space, where the garden will be located. We think there could be activities not only related to biology, but also physics, astronomy, geography, etc. All of this will probably result in students wanting to get on that roof. Beehives could be staged there during the summer season, basil, rosemary, thyme could be grown there, used later in the school canteen. There is increasing talk in urban planning of using roof spaces to introduce – again – greenery into the city.

Everyone there works in an oval table system, the teachers do not have a staff room, remaining constantly part of a certain compact educational ecosystem. This was the basis for the overall idea of creating a lifestyle atmosphere, encouraging people to stay in the school after school hours. Already the entrance area has been shaped to resemble a grotto, which is a place for young people to feel completely at ease, there are group meeting places, but also more intimate alleys where they can lie down and stretch their legs without restraint.

• location: Warsaw / Poland, Wilcza street
• investor: Tacit Investment S.A.
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Aleksandra Nowak, Dorota Pala, Wojtek Funkiewicz, Magda Kołłątaj, Paulina Skalska, Kasia Chobot, Natalia Krzeszowska, Izabela Moskal, Natalia Sołjan, Magdalena Stanik-Banasik, Weronika Korpalska, Anna Szuba-Białas, Anna Wawrzyniak, Tomasz Budziński, Monika Muszyńska, Michał Sokołowski, Mateusz Rymar, Michał Laskowski, Krzysztof Weber
• total area:  11 830 sqm
• design: 2017
• realization: 2020
• certification: LEED · New Construction (v2009) · Gold
• photographs: Juliusz Sokołowski, Nate Cook
• awards:
  • World Luxury Hotel Awards:
    • Best Luxury Lifestyle Hotel 2023 Poland
    • Best Luxury Design Hotel 2023 Poland
    • Best Luxury Conferences & Events Hotel 2023 Europe
  • 2nd place in the 4th edition of the “Object of the Year in Aluprof Systems 2022” competition;
  • TOP Builder 2022;
  • The Plan Award 2021: winner in “Hospitality” category;
  • European Property Awards 2021-2022:
    • “Hotel Architecture Poland” winner;
    • “Hotel Interior Poland” ⭐⭐⭐⭐⭐;
    • “New Hotel Construction & Design Poland” ⭐⭐⭐⭐⭐;
    • “Bathroom Design Poland” ⭐⭐⭐⭐⭐;
    • nominations in following categories: “Best New Hotel Construction & Design Europe”, “Best Hotel Interior Europe”, “Best Bathroom Design Europe”;
  • laureate of Architectural Award of POLITYKA 2020;
  • 1st place in “Hotel” category in Art in Architecture Festival along with Tacit Investment Polska S.A.

• location: Poland, Wrocław, pl. Katedralny
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Łukasz Chmiel, Tomasz Budziński, Paulina Słocińska, Magdalena Maj, Monika Muszyńska, Aleksandra Weber, Michał Laskowski, Krzysztof Weber, Michał Sokołowski, Mateusz Rymar
• investor: Tacit Investment
• total area: 12 630 sqm
• design: 2017
• realization: 2019
• photographs: Maciej Lulko
• certification: LEED 2009 New Construction and Major Renovation – GOLD
• awards:
  • THA Travel & Hospitality Awards 2024: Winner – Luxury Hotel of the Year – Poland,
  • LUXE Global Awards 2023: Best Luxury MICE Hotel – National Win,
  • LUXE Global Awards 2023: Best Luxury Design Hotel – Global Win,
  • Booking.com Traveller Review Awards,
  • SHE Travel Club: Platinum Label 2023,
  • World Luxury Hotel Awards: Best Luxury Architecture Design Hotel in Eastern Europe,
  • 2020-2021 European Property Awards: Best Hotel Interior Poland,
  • 2020-2021 European Property Awards: Best Hotel Interior Europe

• location: Poland, Warsaw, ul. Twarda 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Sołjan, Anna Szuba-Białas, Izabela Moskal, Magdalena Stanik-Banasik, Michał Laskowski
• usable floor area: 528,08 sqm
• investor: TDJ sp. z o.o.
• design: 2020
• realization: 2020/2021
• photographs: Tomasz Zakrzewski

• location: Poland, Warsaw, ul. Elektryczna 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Izabela Moskal, Natalia Sołjan, Maja Gacka, Dorota Pala
• signage: David Racchi
• investor: Martin Gimenez Castro, David Racchi
• usable floor area: 172,6 sqm
• design: 2021/2022
• realization: 2022
• photographs: Tomasz Zakrzewski

Tuna Restaurant in Warsaw is a unique culinary and design project created by chef Martin Gimenez Castro and Australian designer David Racchi. Located at 2 Elektryczna Street in Warsaw, the restaurant presents a seafood-based menu that celebrates the principles of zero waste and responsible fishing. The restaurant’s speciality is a creative approach to serving fish and seafood, exposing not only their taste but also the variety of ingredients, which are sourced from trusted, sustainable sources.

The restaurant’s interior harmonises with the marine theme – it is designed to reflect the atmosphere of the ocean depths. The décor is inspired by the natural shades of water, which are combined with minimalist interior elements. The most distinctive element of the interior is the finish of the walls with 25,000 tin can lids. With this simple treatment, the space takes on an elegant and unique character. Medusa Group and David Racchi are jointly responsible for the design concept. Our collaboration expresses a passion for high-quality culinary experiences and modern design, which gives the restaurant a unique character and atmosphere that introduces guests to the underwater world of culinary travel.

• location: Poland, Warsaw, ul. Grzybowska 62
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Anna Struska, Natalia Sołjan, Anna Szuba-Białas, Bartłomiej Karaś, Marta Kwolek, Michał Laskowski
• installations: Roger Preston Polska
• office buildings architecture: JEMS Architekci
• investor: dellia investments – Projekt Echo
• usable floor area: ok. 985,45 sqm
• design: 2017-2018
• realization: 2018
• photographs: Tomasz Zakrzewski
• certification: BREEAM Excellent

The interior design of the entrance hall at the Warsaw Breweries is an elegant interpretation of the site’s historical heritage, referencing its brewing past with both colour and unique artefacts. The existing space consisted of two parts – a high, inviting one, visible from the square, and a lower one, located deeper in the building. Due to the division of the space, it was decided to vary the finishes, which emphasises the character of each part.

The upper part is well-lit thanks to a large, glazed façade. In this part, it was decided to use an artefact – the bottle. A unique chandelier was designed from 3870 beer bottles, with a total area of almost 40m2. The bottles were suspended at different heights using special slings, and lighting fixtures were placed in the bottoms of some of them. Behind the reception counter is a glass wall, harmonising with the bottle glass and copper shades.

In the lower part of the lobby, the walls are quieter. The walls are finished in matt black laminate. The ceiling in this area is made of copper panels, which again refers to the brewery tones. Care has been taken to separate a cosy lounge area, which is conducive to relaxation and creates a comfortable space for employees and waiting guests.

• location: Warsaw / Poland, Wilcza street
• investor: Tacit Investment S.A.
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Aleksandra Nowak, Dorota Pala, Wojtek Funkiewicz, Magda Kołłątaj, Paulina Skalska, Kasia Chobot, Natalia Krzeszowska, Izabela Moskal, Natalia Sołjan, Magdalena Stanik-Banasik, Weronika Korpalska, Anna Szuba-Białas, Anna Wawrzyniak, Tomasz Budziński, Monika Muszyńska, Michał Sokołowski, Mateusz Rymar, Michał Laskowski, Krzysztof Weber
• total area:  11 830 sqm
• design: 2017
• realization: 2020
• certification: LEED · New Construction (v2009) · Gold
• photographs: Juliusz Sokołowski, Nate Cook
• awards:
  • World Luxury Hotel Awards:
    • Best Luxury Lifestyle Hotel 2023 Poland
    • Best Luxury Design Hotel 2023 Poland
    • Best Luxury Conferences & Events Hotel 2023 Europe
  • 2nd place in the 4th edition of the “Object of the Year in Aluprof Systems 2022” competition;
  • TOP Builder 2022;
  • The Plan Award 2021: winner in “Hospitality” category;
  • European Property Awards 2021-2022:
    • “Hotel Architecture Poland” winner;
    • “Hotel Interior Poland” ⭐⭐⭐⭐⭐;
    • “New Hotel Construction & Design Poland” ⭐⭐⭐⭐⭐;
    • “Bathroom Design Poland” ⭐⭐⭐⭐⭐;
    • nominations in following categories: “Best New Hotel Construction & Design Europe”, “Best Hotel Interior Europe”, “Best Bathroom Design Europe”;
  • laureate of Architectural Award of POLITYKA 2020;
  • 1st place in “Hotel” category in Art in Architecture Festival along with Tacit Investment Polska S.A.

• location: Poland, Wrocław, pl. Katedralny
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Łukasz Chmiel, Tomasz Budziński, Paulina Słocińska, Magdalena Maj, Monika Muszyńska, Aleksandra Weber, Michał Laskowski, Krzysztof Weber, Michał Sokołowski, Mateusz Rymar
• investor: Tacit Investment
• total area: 12 630 sqm
• design: 2017
• realization: 2019
• photographs: Maciej Lulko
• certification: LEED 2009 New Construction and Major Renovation – GOLD
• awards:
  • THA Travel & Hospitality Awards 2024: Winner – Luxury Hotel of the Year – Poland,
  • LUXE Global Awards 2023: Best Luxury MICE Hotel – National Win,
  • LUXE Global Awards 2023: Best Luxury Design Hotel – Global Win,
  • Booking.com Traveller Review Awards,
  • SHE Travel Club: Platinum Label 2023,
  • World Luxury Hotel Awards: Best Luxury Architecture Design Hotel in Eastern Europe,
  • 2020-2021 European Property Awards: Best Hotel Interior Poland,
  • 2020-2021 European Property Awards: Best Hotel Interior Europe

• location: Roździeńskiego 1, Katowice / Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Magdalena Kołłątaj, Anna Szuba-Białas, Natalia Sołjan, Marta Kwolek, Agnieszka Pliwka, Michał Sokołowski, Michał Laskowski, Krzysztof Weber, Mateusz Rymar
• installations: WN Projekt
• signage: Joanna Katańska, Kolektyf
• investor: KTW sp. z o.o.
• usable floor area: 1413,74 sqm
• design: 2018
• realization: 2018
• photographs: Tomasz Zakrzewski
• awards: Office Superstar 2019 – 1st prize in ‘the Financial Industry Office’ category

TDJ’s office is located on the 6th floor of the KTW office building in Katowice, offering a panoramic view of the city. The interior reflects the company’s values: faith, responsibility, cooperation, openness and reliability, which we wanted to portray in the overall character of the space. The interior design combines the Silesian identity of the place with modernity, elegance and the highest quality.

The materials used in the design were chosen for their quality, nobility and honesty, and to become even more charming and durable over time. These include oak wood and dark Shou Sugi Ban wood – charred on the surface in the process of an ancient Japanese technique that protects the material and gives it a unique depth of colour. This is complemented by copper accents, which harmonise elegantly with the minimalist colour scheme, consistent with the colours of the TDJ logo.

• location: Poland, Warsaw, Q22 building – 35th floor
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Agnieszka Pliwka, Natalia Krzeszowska, Anna Szuba-Białas, Marta Kwolek, Tomasz Budziński, Michał Sokołowski, Mateusz Rymar, Piotr Dećko, Michał Laskowski
• graphics: Kolektyf
• investor: Echo Investment
• usable floor area: 866,06 sqm
• design: 2016-2017
• realization: 2017
• photographs: Tomasz Zakrzewski

• location: Poland, Warsaw
• interior design of common areas of office buildings : Medusa Group
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Bartłomiej Karaś, Anna Struska, Michalina Adamczyk, Anna Szuba-Białas, Anna Jabłońska, Michał Bienek, Grzegorz Dalmata, Michał Sokołowski, Konrad Basan, Mateusz Rymar
• office building architecture: JEMS Architekci
• Signage: Kolektyf
• graphics: Kolektyf, Mamastudio
• investor: Hala Koszyki Grayson Investments sp. z o. o. sp. k.
• floor area: 1 180 sqm
• design: 2015-2016
• realization: 2016
• photographs: Juliusz Sokołowski
• awards:
  • Property Design Awards 2018 – special jury award,
  • First prize in the category “Export work of Silesian architects” in the Architecture of the Year of the Silesian Voivodeship 2017 competition,
  • Grand Prix in the 3rd edition of the competition for the Architectural Award of the President of the City of Warsaw,
  • SARP Award of the Year 2016 – distinction,
  • Property Design Awadrs 2017 in the category ‘Interior Design – Shopping Centre’,
  • Architectural Award of Polityka 2016 – finalist.

• location: Poland, Warsaw
• design: JEMS Architekci
• interior architecture of the hall and landscaping of the outdoor areas: Medusa Group
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Bartłomiej Karaś, Anna Struska, Michalina Adamczyk, Anna Szuba-Białas, Anna Jabłońska, Michał Bienek, Grzegorz Dalmata, Natalia Sołjan, Michał Sokołowski, Konrad Basan, Mateusz Rymar
• Signage: Kolektyf
• graphics: Kolektyf, Mamastudio
• investor: Hala Koszyki Grayson Investments sp. z o. o. sp. k.
• usable floor area:
  • interior: 1 900 sqm,
  • exterior: 700 sqm
• design: 2015-2016
• realization: 2016
• photographs: Daniel Rumiancew
• signage: Medusa Group / Joanna Katańska / Kolektyf
• awards:
  • First prize in the category “Export work of Silesian architects” in the Architecture of the Year of the Silesian Voivodeship 2017 competition,
  • Grand Prix in the 3rd edition of the competition for the Architectural Award of the President of the City of Warsaw,
  • SARP Award of the Year 2016 – distinction,
  • Property Design Awadrs 2017 in the category “Interior Design – Shopping Centre”,
  • Architecture Award of Polityka 2016 – finalist

• location: Poland, Bytom, Plac Karin Stanek 1
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Michał Sokołowski, Konrad Basan, Michał Frączek, Zuzanna Mielczarek
• investor: private
• usable floor area: 158 sqm
• design: 2012
• realization: 2013

Jazz Club Fantom is a place known to people who love good music and good cuisine, an uncompromising place on the Silesian map of the region. Since its establishment in 1998, the club has been known and appreciated for its approach to presenting alternative sounds and smuggling new musical trends.

Functional changes made during the general refurbishment of the building in which Fantom is located forced the investor to make a serious decision, which resulted in a new creation of the premises and a change of the interior design. Despite the impression of radical changes, the spirit of the well-known Fantom remained, which was important to both the conscious investor and the architects. All the changes were made against the background of the old substance and the finish of the walls, which became, as it were, a leitmotif and a link in the story between the old and new eras of the premises. Due to the change in the club’s spatial layout, it was necessary to take a new look at aspects of the bar and stage. The bar took the form of old shop refrigerators against which a functional composition of old, polished cabinets and wall units was created, while an industrial container serves as an intimate stage during concerts. In view of the club’s strong culinary connotations, a bistro-type room was created in which the raw walls were complemented by oak boards to soften the room’s cool character. The raw, industrial, radical interior was furnished with warm and cosy furniture from the late 1960s and early 1970s and complemented by ambient lighting, creating a balanced compilation of such radically different aesthetics.

Today, after the reopening of the premises, it is safe to say that the renovation is over… against all appearances, because Fantom in its new formula is still a club without compromises.

• Location: Tarnów
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Dorota Pala, Justyna Siwińska-Pszoniak, Tomasz Szeremeta, Anna Szuba-Białas, Michał Sokołowski, Małgorzata Kasińska, Aleksandra Mazur, Tomasz Drozd, Adam Wasilewski
• Investor: CD Locum
• Usable floor area: 38 600 sqm
• Design: 2024

• location: Katowice
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Jagoda Kus, Karolina Gil, Agnieszka Morga-Bałamut, Agnieszka Szewera-Drozda, Monika Węglińska-Szymczak, Marcin Lech, Agnieszka Majcher-Lisowicz, Marta Präg, Andrzej Dukalski, Klaudia Matura, Patrycja Iskra, Małgorzata Kasińska, Tomasz Drozd, Michał Sokołowski,
• investor: Archicom
• construction: Statyk
• installations: Elsanteam, eNNpro, WN-PROJEKT
• greenery design: Krzysztof Kass KASS-Architektura Krajobrazu
• road design: Seweryn Wróblewski
• signage: Kolektyf
• total area: 34 319,5 sqm
• usable floor area: 14 838 sqm
• design: 2023-2024
• realisation: under construction

• location: Poland, Katowice
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Anna Siwińska, Jarosław Przybyłka, Marta Frączyk, Łukasz Iwan, Jakub Świdziński, Michał Sokołowski, Mateusz Rymar, Konrad Basan, Krzysztof Weber
• investor: TDJ Estate sp. z o. o.
• total area:
  • stage I: 38 090 sqm
  • stage II: 36 291 sqm
  • stage III: 36 326 sqm
• usable floor area:
  • stage I: 16 100 sqm
  • stage II: 15 254 sqm
  • stage III: 15 154 sqm
  • stage IV: 15 179 sqm
• design: 2016
• realization:
  • stage I: 2021
  • stage II: 2024
  • stage III: under construction
• awards: European Property Awards 2022 in Residential High-rise Architecture category
• photographs: Szymon Król, Juliusz Sokołowski, Tomasz Zakrzewski, TDJ Estate, Wojciech Radwański

• Location: Tarnów
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Dorota Pala, Justyna Siwińska-Pszoniak, Tomasz Szeremeta, Anna Szuba-Białas, Michał Sokołowski, Małgorzata Kasińska, Aleksandra Mazur, Tomasz Drozd, Adam Wasilewski
• Investor: CD Locum
• Usable floor area: 38 600 sqm
• Design: 2024

• location: Poznań, Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Leszek Fliciński, Krzysztof Pyta, Sabina Sieczkowska, Michał Sokołowski
• investor: REVIVE Poland Sp. z o.o.
• usable floor area: 13 900 sqm
• design 2023
• realization: concept design

• location: Łódź, ul. Tymienieckiego 13a
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Małgorzata Czechowicz, Justyna Siwińska-Pszoniak, Paulina Słocińska, Sebastian Dziedzic, Andrzej Dukalski, Damian Langer, Małgorzata Kasińska, Izabela Moskal, Natalia Sołjan, Adela Czeczotka, Aleksandra Mazur, Tomek Drozd, Adam Wasilewski, Michał Sokołowski
• consruction: Industria Project
• installations: Elsanteam, eNNpro, WN-PROJEKT, BZB Projekt (sieci-procedury administracyjne), Marcin Wejner (sieci), Pracownia Projektowa Luksan (sieci, procedury administracyjne)
• road design: Seweryn Wróblewski
• signage: Joanna Katańska
• greenery design: Krzysztof Kass KASS-Architektura Krajobrazu
• conservation work programme: Archi-projekt Szymon Herman
• eexpert opinion on building physics: W-ART Robert Wójcik
• chemical and mycological tests: AONT Akademicki Ośrodek Naukowo-Techniczny
• investor: Echo Investment
• usable floor area: 11 762 m²
• design: 2021-2023
• realization: od 2023
• investment website: https://echo-fuzja.pl/lofty

The G02 building consists of two parts: a two-storey printing shop, drapery, ink kitchen and drying room built at the end of the 19th century, and an engraving and rolling mill added in the early 20th century. The expansion of the building is reflected in the façade: the lower part has arched vaulted windows, the upper part has arched vaults only on the ground floor, with modernist rectangular large-format windows above. The local development plan allows for the superstructure of the building. This provided the potential to create a diverse range of flats: from tall loft flats with mezzanine floors directly adjacent to the existing walls, to standard height flats located in the new superstructure. The project was developed in close collaboration with the Provincial Office for Historic Preservation. A number of analytical studies were produced to help us place the new function in the old walls in the best possible way.

• location: Poland, Katowice, Tysiąclecia Estate
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Łukasz Iwan, Paulina Kałużna, Maciej Nowak, Maciej Orlicz, Maciej Szeremeta, Tomasz Toczek, Jarosław Przybyłka, Jakub Świdziński, Michał Sokołowski, Tomasz Drozd, Mateusz Małecki, Aleksandra Mazur, Małgorzata Kasińska, Krzysztof Weber
• investor: Henniger Investment
• construction: KZ Studio Projektowe
• installations: WNprojekt, Elsanteam, Ennpro
• greenery design: Krzysztof Kass
• road design: Seweryn Wróblewski
• signage: Natalia Pietruszewska
• plot area: 3,2 ha
• usable floor area: ~29 000 sqm
• design: 2021-23
• realization: since 2023

• location: Poland, Klecza Dolna
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Anna Gołyga, Magdalena Stanik-Banasik, Katarzyna Chobot, Jagoda Kus, Agnieszka Szewera-Drozda, Sandra Przepiórkowska, Marta Boryczka, Łukasz Pieszka, Jakub Pudo, Sabina Sieczkowska, Lechosław Słomka, Grzegorz Pietraszuk, Daria Cieślak, Dorota Pala, Izabela Moskal, Anna Szuba-Białas, Aleksandra Mazur, Tomasz Drozd
• investor: Fundacja Campus Bemke
• construction: Figura Team
• installations: Elsanteam, eNNpro, WN-PROJEKT
• landscape design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• road design: Seweryn Wróblewski
• plot area: 14 153 sqm
• usable floor area: 3 312 sqm
• design: 2022-2023
• realization: under construction

Campus Bemke, which appears in the investor’s name, is a multi-phase project in which the construction of several educational facilities with an extensive surrounding area is planned. The school for years 4-8 is the first of these.

The building, consisting of several blocks – ‘chattel houses’ – tries to fit into the surrounding context and landscape. Contrary to the first impression, the broken-up volumes of the individual houses are connected to each other at ground level. This shape has allowed the school to blend in with the considerable differences in the terrain.

The façade material is also distinctive – ceramic moulding, which refers to the history of the site. Over a century ago, a brickworks was built there. The moulding covers all facades and also the roofs of the building.

In addition to the core curriculum of the primary school, less typical spaces have been planned in the building. The western section is entirely dedicated to specialist laboratories, where, in addition to a chemistry or physics room, there will also be a sewing and photography workshop, a prototyping and electronics workshop. There will also be places where pupils can spend time during breaks. One of these is a pergola located on the school grounds.

• location: Poland, Łódź, ul. Milionowa 4B
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil,Agnieszka Morga-Bałamut, Monika Węglińska-Szymczak, Marcin Lech, Aleksandra Rodo-Krasnokucka, Anna Fus, Katarzyna Klimasz, Bożena Wróbel, Jagoda Kus, Marija Gawąd, Ewa Zielonka – Mossoczy, Michał Laskowski, Mateusz Małecki, Aleksandra Mazur, Tymoteusz Sapa
• construction: Industria Project
• industries: Industria MEP
• road design: Seweryn Wróblewski
• administrative procedures: BZB Projekt
• facade design: Studio Profil
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• conservation work program: ARCHI-PROJEKT Szymon Herman
• investor: Echo Investment
• usable floor area: 1 681 sqm
• design: 2019-2020
• realization: 2023
• certification: BREEAM 2016 New Construction: Commercial – very good (interim)
• investment website: https://fuzja-echo.pl/

• location: Japan, Osaka
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Tomasz Drozd, Patrycja Jonda, Małgorzata Kasińska, Aleksandra Mazur, Miłosława Niezgoda, Aleksandra Nowak, Michał Sokołowski, Karol Wiśniewski, Adam Wasilewski
• design: 2022-2023
• awards: mention in the competition for the architectural concept of the Polish Pavilion at the EXPO2025 World Exhibition in Osaka.

“Designing Future Society for Our Lives” (Designing Future Society for Our Lives). This was the task set for all the countries that will participate in the Osaka World EXPO.

Thinking about the future, thinking about the future society, we designed a pavilion that was to carry a message, and that was to contribute as little as possible to environmental devastation. In cooperation with local organizations, forgoing intercontinental transportation, our pavilion was to be built from recycled materials. Selective demolition of buildings, warehouses and landfills, would provide the building blocks for the formation of the building’s body.

Obtained reinforced concrete prefabricated elements, glazing, windows, compressed aluminum waste blocks, electro-waste, body parts are to form not only the facade, but also the main thesis of the project: Saving Lives.

Manifesting the problems not only of the Polish environment, we call for cooperation and responsible conduct. 

Being in Japan for a while, we do not want to burden the global as well as the local environment. This requires cooperation, and this cooperation can in turn become an example for broader actions to bring hope to the future society.

• location: Poland, Łódź, ul. Tymienieckiego 13b
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Małgorzata Czechowicz, Justyna Siwińska-Pszoniak, Monika Węglińska-Szymczak, Marcin Lech, Paulina Słocińska, Sebastian Dziedzic, Andrzej Dukalski, Agnieszka Majcher-Lisowicz, Marta Präg, Adela Czeczotka, Małgorzata Kasińska, Łukasz Chmiel, Karolina Gil, Grzegorz Pietraszuk, Michał Bienek, Jakub Koźlik, Aleksandra Mazur, Mateusz Małecki, Tomek Drozd, Adam Wasilewski, Michał Sokołowski
• construction: Industria Project
• industries: Elsanteam, eNNpro, WN-PROJEKT, BZB Projekt (networks-administrative procedures), Marcin Wejner (networks), Pracownia Projektowa Luksan (networks, administrative procedures)
• road design: Seweryn Wróblewski
• signage: Wunder Fabrik
• greenery design: Krzysztof Kass KASS-Architektura Krajobrazu
• programme of conservation work on the building: Archi-projekt Szymon Herman
• programme of polychrome conservation works: Pracownia Konservacji Architektury Malarstwa i Rzeźby Restauro (Conservation Studio of Architecture, Painting and Sculpture Restauro)
• building physics expertise: W-ART Robert Wójcik
• investor: Echo Investment
• usable floor area: 8 840 sqm
• design: 2021-2022
• realization: since 2022
• investment site: https://echo-fuzja.pl/lofty
• awards: distinction in international competition of the Schock Group

• Location: Polnad, Bytom, Szombierki ul. Zabrzańska 7
• Authors / initiators: Jan Wichrowski, Rafał Dziedzic, Michał Sokołowski, Przemo Łukasik
• Cooperation / assistance: Dominik Sielski (production); Karol Boguś (production asistant); Przemek Potyka, Marcin Woźniak (lighting); Patryk Domałeczny, Szymon Wrodarczyk (sound); Grzegorz Orłowski (mountaineering support); Ra2nski, Marcin Lech, Adrian Mikos (photo/video); Łukasz Chmiel, Kajetan Wichrowski, Bartosz Łukasik (assistance with installation), Jacek Wichrowski (logistics support); Maciek Wichrowski (mountaineering equipment); Michał Pieczonka (transportation); Michał Tomczak (iGuzzini lighting); Miłosz Jaksik (www).
• design: 2022
• www: sos-szybkrystyna.pl

• location: Poland, Bielsko-Biała
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Katarzyna Chobot, Tomasz Drozd, Leszek Fliciński, Julia Kazimierska, Klaudia Matura, Krzysztof Pyta, Tomasz Toczek
• visualisations: Monokolor Krzysztof Drozda
• landscape architecture: KASS – ARCHITEKTURA KRAJOBRAZU
• construction: Pracownia Byrdziak
• installations: TTProjekt
• road and network design: Seweryn Wróblewski, Marcin Wejner
• fire protection: Marcin Szewerniak
• investor: TDJ Estate sp. z o.o.
• usable floor area:
  • stage I: 9 900 sqm
  • stage II: 8 400 sqm
• design: 2021-2022
• realization: under construction

• Location: Poland, Warsaw, al. Jana Pawła II 23
• Architects of Medusa Group + MHM: Łukasz Zagała, Przemo Łukasik, Florian Molzbichler, Sebastian Haselsteiner
• Associate architects: Dawid Beil, Miłosława Niezgoda, Aleksandra Nowak, Marko Maric, Magdalena Tamoń – Będkowska, Monika Rychlicka – Borzechowska, Maciej Rudecki, Joanna Jakimiuk, Magdalena Cichosz, Katarzyna Bobrowska, Patrycja Stołtny – Sapko, Natalia Duczmal, Jacek Pisarczyk, Kamil Szołtysek, Michał Sokołowski, Aleksandra Mazur, Michał Laskowski, Mateusz Małecki, Michał Gawron, Damian Mikrut, Adil Krasniqi
• Construction: Buro Happold
• Installations: Buro Happold
• Facade design: Studio Profil
• Investor: STRABAG Real Estate
• General contractor: STRABAG
• Office area: c.a. 35 900 sqm
• Design: 2019 – 2022

• location: Poland, Warsaw, ul. Twarda 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Sołjan, Anna Szuba-Białas, Izabela Moskal, Magdalena Stanik-Banasik, Michał Laskowski
• usable floor area: 528,08 sqm
• investor: TDJ sp. z o.o.
• design: 2020
• realization: 2020/2021
• photographs: Tomasz Zakrzewski

• location: Poland, Warsaw, ul. Elektryczna 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Izabela Moskal, Natalia Sołjan, Maja Gacka, Dorota Pala
• signage: David Racchi
• investor: Martin Gimenez Castro, David Racchi
• usable floor area: 172,6 sqm
• design: 2021/2022
• realization: 2022
• photographs: Tomasz Zakrzewski

Tuna Restaurant in Warsaw is a unique culinary and design project created by chef Martin Gimenez Castro and Australian designer David Racchi. Located at 2 Elektryczna Street in Warsaw, the restaurant presents a seafood-based menu that celebrates the principles of zero waste and responsible fishing. The restaurant’s speciality is a creative approach to serving fish and seafood, exposing not only their taste but also the variety of ingredients, which are sourced from trusted, sustainable sources.

The restaurant’s interior harmonises with the marine theme – it is designed to reflect the atmosphere of the ocean depths. The décor is inspired by the natural shades of water, which are combined with minimalist interior elements. The most distinctive element of the interior is the finish of the walls with 25,000 tin can lids. With this simple treatment, the space takes on an elegant and unique character. Medusa Group and David Racchi are jointly responsible for the design concept. Our collaboration expresses a passion for high-quality culinary experiences and modern design, which gives the restaurant a unique character and atmosphere that introduces guests to the underwater world of culinary travel.

• location: Poland, Warsaw, ul. Grzybowska 62
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Anna Struska, Natalia Sołjan, Anna Szuba-Białas, Bartłomiej Karaś, Marta Kwolek, Michał Laskowski
• installations: Roger Preston Polska
• office buildings architecture: JEMS Architekci
• investor: dellia investments – Projekt Echo
• usable floor area: ok. 985,45 sqm
• design: 2017-2018
• realization: 2018
• photographs: Tomasz Zakrzewski
• certification: BREEAM Excellent

The interior design of the entrance hall at the Warsaw Breweries is an elegant interpretation of the site’s historical heritage, referencing its brewing past with both colour and unique artefacts. The existing space consisted of two parts – a high, inviting one, visible from the square, and a lower one, located deeper in the building. Due to the division of the space, it was decided to vary the finishes, which emphasises the character of each part.

The upper part is well-lit thanks to a large, glazed façade. In this part, it was decided to use an artefact – the bottle. A unique chandelier was designed from 3870 beer bottles, with a total area of almost 40m2. The bottles were suspended at different heights using special slings, and lighting fixtures were placed in the bottoms of some of them. Behind the reception counter is a glass wall, harmonising with the bottle glass and copper shades.

In the lower part of the lobby, the walls are quieter. The walls are finished in matt black laminate. The ceiling in this area is made of copper panels, which again refers to the brewery tones. Care has been taken to separate a cosy lounge area, which is conducive to relaxation and creates a comfortable space for employees and waiting guests.

• Location: Poland, Warsaw, Żerań
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Wojciech Funkiewicz, Magdalena Kołłątaj, Jan Wichrowski, Marta Boryczka, Agnieszka Kuczyńska, Agnieszka Majcher-Lisowicz, Michał Sokołowski, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur
• Investor: CD PROJEKT S.A.
• Landscape architecture: Florabo, KASS
• Construction and installations: WSP Polska
• Facade design: Studio Profil
• Roads: Civil Transport Designers s.c.
• Fire protection: PROTECT
• Usable floor area: 4730,2 m²
• Design: 2020-2021
• Realization: 2021-2022

The shape of the closed car park building is the result of an analysis of the investor’s expectations and planning guidelines set out in the Conditions of Development and Land Use issued for the plot. The body of the building consists of two underground storeys and two overground storeys. From the western side, exposed to the existing office buildings used by the Investor, terrace faults of the overground storeys were designed, planted with climbing plants on the vertical fragments of the wall. From the southern side, by the garage entrance gate, a ground floor arcade was designed, marking the entrance zone to the building. On the eastern side, the elevation was designed parallel to the impassable line of development, determined according to the conditions of development and land use. On the roof of the closed car park block there is a recreational space designed for employees of the neighbouring complex of office buildings. The recreational space on the roof has been fenced with a light, openwork mesh. On the west side, an irregularly shaped ramp was designed as an entrance to the recreational roof from the ground level. The entire structure of the closed car park was covered with perforated polished metal sheet with an irregular side profile.

The main task of the designed building is to supplement the demand for parking spaces related to the constantly growing staff of CD Projekt company. At the same time the object is to be supplemented with recreational functions constituting an additional asset for employees and the surrounding community. The solutions applied in the design of the multi-storey car park are in line with the investor’s ambitions to create a space characterised not only by high quality architectural and functional solutions but also being the beginning of the process of changes in the post-industrial district of Warsaw. Emphasis on pro-ecological and low-emission solutions as well as responsibility and care for nature, which are the Investor’s guiding principles when initiating this project, will constitute the basic assumptions for subsequent stages of the investment.

Office and administration building with underground garage and landscaping

• Location: Poland, Warsaw, Żerań
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Wojciech Funkiewicz, Magdalena Kołłątaj, Jan Wichrowski, Marta Boryczka, Agnieszka Kuczyńska, Agnieszka Majcher-Lisowicz, Michał Sokołowski, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur
• Investor: CD PROJEKT S.A.
• Landscape architecture: Florabo, KASS
• Construction and installations: WSP Polska
• Facade design: Studio Profil
• Roads: Civil Transport Designers s.c.
• Fire protection: PROTECT
• Usable floor area:: 5611,12 sqm
• Design: 2020-2022
• Realization: under construction

The designed building is characterised by a simple cuboidal form, which results from the assumption adopted at the initial design stage of the least aggressive interference with the surroundings and the emphasis on maximum efficiency and flexibility of the designed volume from the point of view of the facility’s purpose.

The building’s architecture uses economical means of expression, but at the same time is an individual and original spatial composition that corresponds to the guidelines of the WZiZT Decision. The form of the building is the result of optimising the usable space in its interior, which has been designed to provide a functional and efficient arrangement. The adopted depth of the tracts and the division of the windows create many possibilities of configuration and ways of dividing the space depending on the Investor’s needs, at the same time ensuring excellent access to daylight for all the office rooms.

The building has six usable above-ground levels, two underground levels and a technical zone and a utility zone on the roof.

The designed building is intended to provide a modern, functional and maximally flexible space for comfortable office work, taking into account the specific working conditions of the video games industry, and to meet the Investor’s ambitions to create architecture that will be a showpiece of the future CD Projekt campus. The activation of a degraded, post-industrial district of Warsaw, openness towards its inhabitants, emphasis on pro-ecological and low-emission solutions as well as responsibility and care for nature, which the Investor is guided by when initiating this project, will constitute the basic design assumptions for the subsequent stages of the investment. This concept is an attempt at a comprehensive response to the design problem posed in such a way, taking into account the demands of the Investor at every stage and in every aspect of the facility’s life and within the framework of all the trades involved in its implementation.

The building is environmentally friendly, which manifests itself, among other things, in low energy consumption, low emissions into the atmosphere, the use of appropriate environmentally friendly building materials and technical equipment. At the stage of this project, an office function was initially assumed on each above-ground floor, with office and conference functions on the ground floor.

• Location: western Lesser Poland region
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Jarosław Przybyłka, Anna Gołyga, Michał Sokołowski
• Construction: KZ Studio Projektowe
• Installations: WN Projekt, Elsanteam, Ennpro
• Investor: private
• Usable floor area: 740 sqm
• Design: 2022
• Realization: under construction

• location: Warsaw / Poland, Wilcza street
• investor: Tacit Investment S.A.
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Aleksandra Nowak, Dorota Pala, Wojtek Funkiewicz, Magda Kołłątaj, Paulina Skalska, Kasia Chobot, Natalia Krzeszowska, Izabela Moskal, Natalia Sołjan, Magdalena Stanik-Banasik, Weronika Korpalska, Anna Szuba-Białas, Anna Wawrzyniak, Tomasz Budziński, Monika Muszyńska, Michał Sokołowski, Mateusz Rymar, Michał Laskowski, Krzysztof Weber
• total area:  11 830 sqm
• design: 2017
• realization: 2020
• certification: LEED · New Construction (v2009) · Gold
• photographs: Juliusz Sokołowski, Nate Cook
• awards:
  • World Luxury Hotel Awards:
    • Best Luxury Lifestyle Hotel 2023 Poland
    • Best Luxury Design Hotel 2023 Poland
    • Best Luxury Conferences & Events Hotel 2023 Europe
  • 2nd place in the 4th edition of the “Object of the Year in Aluprof Systems 2022” competition;
  • TOP Builder 2022;
  • The Plan Award 2021: winner in “Hospitality” category;
  • European Property Awards 2021-2022:
    • “Hotel Architecture Poland” winner;
    • “Hotel Interior Poland” ⭐⭐⭐⭐⭐;
    • “New Hotel Construction & Design Poland” ⭐⭐⭐⭐⭐;
    • “Bathroom Design Poland” ⭐⭐⭐⭐⭐;
    • nominations in following categories: “Best New Hotel Construction & Design Europe”, “Best Hotel Interior Europe”, “Best Bathroom Design Europe”;
  • laureate of Architectural Award of POLITYKA 2020;
  • 1st place in “Hotel” category in Art in Architecture Festival along with Tacit Investment Polska S.A.

• location: Al. Roździeńskiego 1, Katowice / Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Dawid Beil, Łukasz Pieszka, Aleksandra Nowak, Kuba Pudo, Paulina Skalska, Kasia Chobot, Klaudia Matura, Mariusz Okrajek, Aleksandra Weber, Paulina Witaszczyk, Mateusz Florczak, Michał Sokołowski, Konrad Basan, Mateusz Rymar, Piotr Dećko, Justyna Siwińska-Pszoniak, Dorota Pala, Anna Struska, Daria Cieślak, Seweryn Wróblewski, Michał Bienek, Tomasz Toczek
• interior architects: Katarzyna Chobot, Mateusz Florczak, Maria Jaksik-Fikus, Klaudia Matura, Aleksandra Nowak, Mariusz Okrajek, Łukasz Pieszka, Jakub Pudo, Paulina Skalska, Tomasz Toczek, Aleksandra Weber, Paulina Witaszczyk
• landscape architects: Katarzyna Chobot, Mateusz Florczak, Maria Jaksik-Fikus, Klaudia Matura, Aleksandra Nowak, Mariusz Okrajek, Łukasz Pieszka, Jakub Pudo, Paulina Skalska, Tomasz Toczek, Aleksandra Weber, Paulina Witaszczyk Seweryn Wróblewski, Krzysztof Kass (Kass – Architektura krajobrazu)
• construction: Firma Inżynierska STATYK, Katowice
• installations: CE Group, Gliwice; Instac, Stara Iwiczna
• facade design: Studio Profil, Warszawa
• fire protection: Janusz Siata
• signage: Magdalena Odrzywolska, Joanna Katańska, Maria Jaksik-Fikus
• signage realization: Kolektyff (stage 1), Studio Bardzo (stage 2)
• investor: TDJ Estate Sp. z o.o.
• usable floor area: 62 000 m²
• design: 2016
• realization:
  • 1st tower: 2018;
  • 2nd tower: 2022
• certification:
  • BREEAM Excellent,
  • WELL – Health-Safety
• photographs: Szymon Król, Juliusz Sokołowski, Wojciech Radwański, Tomasz Zakrzewski
• awards:
  • CIJ Awards Poland 2022 in category: Best National Office Development of the Year,
  • Prime Property Prize 2022 in Architecture category,
  • European Property Awards 2022 in Commercial High-rise Architecture category,
  • Honourable mention in the 4th edition of the “Object of the Year in Aluprof Systems 2022” competition
  • SARP (the Association of Polish Architects) Award of the Year 2022 in the category “office, education or administration building”,
  • 2nd place and the audience award in the “Object of the Year in Aluprof systems” competition.

The .KTW project is located in an important urban location in Katowice, near the intersection of the most important transport arteries running north to south and east to west. The construction of the towers began when the contemporary layout of the development, following the idea of the ‘axis of culture’, was already clearly defined and realised with buildings: Silesian Museum, the building of the National Polish Radio Symphony Orchestra and the International Congress Centre. ‘Axis of culture’ is a contemporary errata to the historical urban planning of the region, respecting the planning decisions of the city. The .KTW buildings honour and sanction, as it were, a new direction of transformation.

The essence of our shaping of the new buildings was the continuation of the original assumptions and the search for a dominant feature, but not the creation of a new icon of Silesia. The .KTW towers filled the plot of land left by the building of the Office Building of the State Railway District Directorate (DOKP), a high-rise building designed by one of the most important local architects of the 1950s and 1960s, Jerzy Gottfried. It is crucial when looking at .KTW to realise that the decision to build high was therefore made much earlier. It was imposed, as it were, by the 90-metre DOKP building itself.

The architecture of .KTW is a composition with a character alluding to the prominence of its representative location. The exposure of the towers on the side of Chorzowska Street and on the side of the Market Square from Korfantego Avenue makes the buildings create a clear orientation of the new, functional centre of Katowice. From the north and west, the buildings are adjacent to Spodek Square flanked from the northeast by the ICC building, creating a unified composition with them. The ground floors of .KTW are intended to complement the existing service and catering spaces that were lacking in this part of the city centre.

The new office and service development complex consists of two Class A buildings with three levels of underground parking for cars and landscaping. Building A, located on the side of the International Congress Centre, was designed with 14 overground storeys, while building B on the side of Roździeńskiego Avenue had 31 overground storeys.

The aim of the project was to complement the cultural and leisure functions with a modern and functional complex of office and service buildings, offering flexible spaces for comfortable work and leisure activities after hours. We developed the project in accordance with current Class A office building standards and based on the guidelines for BREEAM certification at the Excellent level. The buildings are environmentally friendly, which manifests itself, among other things, in low energy consumption, low emissions into the atmosphere, the use of appropriate environmentally friendly building materials and technical equipment.

We wanted to create architecture that was restrained in form, not a stunning or frivolous work of art. We gave the new towers the features to perpetuate our perception of Silesia, where we originated. The architecture uses simple, elegant and timeless means of expression, forming an individual and original spatial composition that responds to the local context. The buildings therefore adapt easily to their surroundings, while not lacking a certain spunk, energy and dynamism. We touched them by moving the modules in relation to each other and giving them an individual architectural form. The designed structure of the moved blocks is the result of the consecutive, upward-sloping arrangement of the cuboidal blocks of the Silesian Museum and the NOSPR. In addition, the form of .KTW, devoid of rounded shapes, was not intended to compete with the mass of Spodek.

The genesis of this project is also an attempt to find a contemporary form that corresponds to the function these buildings are to serve. Thus, we have been balancing on the borderline of the classical understanding of composition, through which we emphasize the stage of change in which Katowice has found itself and how strongly the forces related to the development of new technologies, the potential of companies and the people working here influence the contemporary image of the city. .KTW is also a new look at the office function. Business in a different dimension, not only looking at the city skyline from behind a glass façade, but giving breath thanks to balconies, terraces and greenery that will soon complete the project. We hope that the architecture of the .KTW buildings will stand the test of time and that they will grow firmly into the fabric of Katowice.

The biggest design problem was putting the towers on a foundation in an area where coal was mined until recently. The second tower of .KTW is currently the tallest building in Katowice, so we paid particular attention to the ground conditions. The project was a major architectural and structural challenge for our studio.

• location: Warsaw / Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Stefanowski, Monika Rychlicka-Borzechowska, Magdalena Tamoń-Będkowska, Karolina Stejskał, Katarzyna Bobrowska, Tomasz Szeremeta, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur, Michał Sokołowski
• landscape architecture: KASS – ARCHITEKTURA KRAJOBRAZU
• construction: PKBI
• installations: AER Polska
• fire protection: Janusz Woźniak
• investor: Echo Investment
• usable floor area: 13 300 sqm
• design: 2019-2020
• realization: 2022

• location: Warsaw / Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Stefanowski, Magda Tamoń-Będkowska, Weronika Gajda, Monika Rychlicka-Borzechowska, Marceli Anduła, Karolina Stejskał, Jacek Pisarczyk, Miłka Niezgoda, Tomasz Szeremeta, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur, Michał Sokołowski
• construction: PKBI
• installations: AER Polska
• fire protection: Janusz Woźniak
• investor: Echo Investment
• usable floor area:  20 046 sqm
• design: 2018-2019
• realization: 2021
• photographs: Juliusz Sokołowski

• lokalizacja: Gdańsk
• inwestor: Grupa Capital Park
• architekci: Przemo Łukasik, Łukasz Zagała
• współpraca autorska: Karolina Stejskał, Michał Sapko, Michał Sokołowski, Aleksandra Mazur, Mateusz Małecki, Tymoteusz Sapa
• powierzchnia całkowita:  24 610 m²
• projekt: 2021

• location: Poland, Łódź, ul. Milionowa 4-4A
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Agnieszka Morga-Bałamut, Aleksandra Rodo-Krasnokucka, Monika Węglińska-Szymczak, Marcin Lech, Karolina Kossmann, Magdalena Cąkała, Paulina Kałużna-Stawinoga, Anna Fus, Katarzyna Klimasz, Bożena Wróbel, Jagoda Kus, Marija Gawąd, Ewa Zielonka – Mossoczy, Michał Laskowski, Mateusz Małecki, Aleksandra Mazur, Tymoteusz Sapa
• construction: Industria Structure
• industries: Industria MEP
• road design: Seweryn Wróblewski
• administrative procedures: BZB Projekt
• facade design: Studio Profil
• signage: Joanna Katańska
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• conservation work programme: ARCHI-PROJEKT Szymon Herman
• investor: Echo Investment
• usable floor area:
  • building C: 8 987,4 sqm
  • building D: 9 397,1 sqm
• design: 2019-2020
• realization: 2022
• photographs: Rafał Tomczyk
• website: https://fuzja-echo.pl/

The office buildings of the Fuzja complex are being built on the site of the historic Scheibler-Grohman industrial building complex in Łódź. As a piece of history commemorating the place and function, the historic wall on the northern side has been preserved and incorporated into the body of the northern office building.
The distinctive feature of the buildings are the designed elevations – they have been designed with the use of common facade systems with blinds used in an unconventional way. The blinds, which are usually installed horizontally and function as a shield for ventilation of the technical areas of the buildings, have been used as façade cladding in the case of the designed office buildings. By installing the blinds vertically, a unique rhythm of façade elements was obtained by varying the directions in which they are arranged to the right or left, which produces a different visual effect depending on the time of day and the amount of sunlight.

• Location: Poland, Poznań, Nowy Rynek, ul. Wierzbięcice/ks. Jakuba Wujka
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Maria Jaksik-Fikus, Dawid Beil, Aleksandra Nowak, Joanna Jakimiuk, Magdalena Cichosz, Mateusz Florczak, Maciej Orlicz, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur, Michał Sokołowski
• Construction: Bud-Ekspert
• Installations: Termo Studio, Janura
• Facade design: Studio Profil, Esox
• Investor: Skanska
• Usable floor area: 33 435 sqm
• Design: 2018
• Realization: 2021
• Awards:
  • European Property Awards 2022: Best Office Architecture Poland,
  • PLGBC Green Building Awards 2022: best certified green building,
  • J.B. Quadro Prize of the President of Poznań: distinction.
• Photographs: Przemysław Turlej
• Certification:
  • LEED Core and Shell Platinum,
• • WELL Health-Safety-Rating,
• • WELL Core and Shell Gold,
• • Barrier-free building

The Nowy Rynek investment is a multiphase mixed-use project. The office building is part of it, being an added value for the city, showing that the surroundings are just as important as the quality of the offices themselves. The New Market is distinguished by its unique and original façade, which shimmers in shades of green turning to a rusty pink towards the top. The lower storeys feature glass storefronts that aim to lift the building off the ground. In order to give the building a lighter appearance, the character and colours of the façades were varied and covered with a vertical arrangement of angles, which also act as shades.

It was important for us to link the complex to the Wilda residential area, so that the mass of the office building does not dominate the neighbouring buildings. The design of the bulging structures and terraced arcades was intended to break up the massive mass and give it some visual lightness and subtlety. The grand patio and its shape generates a dynamic experience for the users thanks to the changes of light, reflections and colors throughout the day.

• location: Poland, Łódź, ul. Tymienieckiego / ul. Milionowa
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Michał Bienek, Katarzyna Chobot, Adela Czeczotka, Piotr Dećko, Marija Gawąd, Michał Gawron, Jagoda Kus, Damian Langer, Michał Laskowski, Mateusz Małecki, Aleksandra Mazur, Agnieszka Morga-Bałamut, Sandra Przepiórkowska, Mateusz Rymar, Tymoteusz Sapa, Justyna Siwińska-Pszoniak, Paulina Słocińska, Lechosław Słomka, Michał Sokołowski, Bożena Wróbel, Ewa Zielonka-Mossoczy
• construction: BZB Projekt, Industria Project
• installations: Elsanteam, eNNpro, WN-PROJEKT
• network infrastructure and administrative procedures: BZB Projekt
• road design: Seweryn Wróblewski
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• conservation work programme: ARCHI-PROJEKT Szymon Herman
• investor: Echo Investment
• usable floor area: 3 250 sqm
• land area: 24 062 sqm
• design: 2019-2020
• realization:since 2020
• photographs: Rafał Tomczyk
• investment website: https://fuzja-echo.pl/
• awards:
  • distinction in the “Designed for People” competition for Anna’s Gardens,
  • finalist in The European Prize for Urban Public Space competition

• location:Poland, Łódź, ul. Kilińskiego
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Justyna Siwińska-Pszoniak, Małgorzata Spyra, Agnieszka Szewera-Drozda, Mateusz Skalski, Maciej Spiess, Małgorzata Kasińska, Anna Przybyłka, Damian Langer, Seweryn Wróblewski, Michał Sokołowski, Konrad Basan, Mateusz Rymar, Krzysztof Weber, Piotr Dećko, Michał Laskowski, Katarzyna Chobot
• investor: SKANSKA
• construction: Industria Project
• installations: CE Group, BZB Projekt (administrative procedures)
• facade design: Studio Profil
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• road design: Seweryn Wróblewski
• comic authors: Tomasz Kaczkowski + Kolektyf
• signage: Joanna (Sowula) Katańska
• total area: 40 000 sqm
• design: 2015-2017
• realization:
  • building A: 2020
  • building B: 2019
• certification: LEED · Core and Shell (v2009) · Gold
• photographs: Rafał Tomczyk
• awards:
  • ICONIC Awards 2020 / Innovative Architecture
  • Property Design Awards 2020
  • “Modern Pearl of Lodz” during the 5th edition of the plebiscite Perły Łodzi

The City Gate building is a link between the old city and the so-called New Centre of Łódź. It encompasses part of the inner city connecting business, transport and culture. The project consists of two buildings (A and B). The premise opens up to Łódź and its inhabitants. This has been emphasised in the design by a discreet separation of the blocks, creating a symbolic gateway to the new city. The glass used in the space between the buildings creates a mirror effect by reflecting the surroundings. This bonds the volumes even more strongly to the fabric of the city.

The façades, covered with a mosaic of corten and black sheet panels, give the volumes a spatial dimension, creating impressions that change with the point of view. The dance of these large volumes becomes dynamic from the perspective of those travelling along one of the thoroughfares that run in the vicinity of the buildings.

In addition to the industrial materials used on the façade, the design also makes use of the brick used on the floors. The materials allude to the industrial character of the city. The architecture of the City Gate is inspired by the brick aesthetic that dominates Łódź’s historic buildings, but uses a contemporary language. Rust-coloured corten combines old conditions and modern needs.

Proud of its traditions, Łódź is today simultaneously associated as a city of festivals, fashion and design weeks attracting young, creative people. The aesthetics of the City Gate reflect this, which is why the interiors of all the lift halls are covered with cartoon graphics alluding to the 19th-century traditions of industrial tycoons important to the city’s history.

The City Gate opens up not only formally, but also functionally. Service and catering establishments have been designed on the ground floor. The buffer between the buildings is filled with recreational spaces arranged as a green enclave of the New Centre of Łódź.

Part of the ground floor provides a coworking area for employees and their visitors. The canopy of the exit ramp to the garage is designed as an arrangement of wooden bleachers where office workers can take a break. On summer evenings, this space can serve as an auditorium for an open-air cinema, drawing on the rich traditions of the Łódź Film School.

• location: Bieszczady
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Jarosław Przybyłka, Anna Gołyga, Michał Sokołowski, Michał Laskowski
• construction: KZ STUDIO PROJEKT
• industries: WN-PROJEKT, ELSANTEAM, Eko Elprom
• investor: Henniger Investment
• usable floor area: 352,58 sqm
• design: 2019
• realization: 2020
• photographs: Juliusz Sokołowski, Wojciech Radwański, Przemo Łukasik

• location: Poland, Wrocław, pl. Katedralny
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Łukasz Chmiel, Tomasz Budziński, Paulina Słocińska, Magdalena Maj, Monika Muszyńska, Aleksandra Weber, Michał Laskowski, Krzysztof Weber, Michał Sokołowski, Mateusz Rymar
• investor: Tacit Investment
• total area: 12 630 sqm
• design: 2017
• realization: 2019
• photographs: Maciej Lulko
• certification: LEED 2009 New Construction and Major Renovation – GOLD
• awards:
  • THA Travel & Hospitality Awards 2024: Winner – Luxury Hotel of the Year – Poland,
  • LUXE Global Awards 2023: Best Luxury MICE Hotel – National Win,
  • LUXE Global Awards 2023: Best Luxury Design Hotel – Global Win,
  • Booking.com Traveller Review Awards,
  • SHE Travel Club: Platinum Label 2023,
  • World Luxury Hotel Awards: Best Luxury Architecture Design Hotel in Eastern Europe,
  • 2020-2021 European Property Awards: Best Hotel Interior Poland,
  • 2020-2021 European Property Awards: Best Hotel Interior Europe

• location: Dhaka, Bangladesh
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Łukasz Iwan, Paulina Słocińska, Łukasz Chmiel, Aleksandra Weber, Anna Gołyga, Kuba Świdziński, Jarek Przybyłka, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur, Michał Sokołowski
• investor: private
• design: 2019

• location: Cracow / Poland, Podole Street
• investor: BUMA INWESTOR 25
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Agnieszka Morga, Aleksandra Rodo-Krasnokucka, Jagoda Kus, Lechosław Słomka, Monika Węglińska-Szymczak, Ewa Zielonka-Mossoczy, Karolina Szczygieł, Marta Rejniak, Michał Sokołowski, Mateusz Rymar, Michał Laskowski, Piotr Dećko
• construction: TEQUM sp. z o.o., Kraków
• installations: TEQUM sp. z o.o., Kraków
• facade design: Buma Factory
• landscape design: Kass – Architektura Krajobrazu
• fire protection: Janusz Siata
• signage: Joanna Rodo / Kolektyf
• usable floor area:  17 760 sqm
• design: 2017
• realization: 2019
• certification: BREEAM · International 2013 New Construction: Offices · Excellent
• photographs: BUMA

• location: Roździeńskiego 1, Katowice / Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Magdalena Kołłątaj, Anna Szuba-Białas, Natalia Sołjan, Marta Kwolek, Agnieszka Pliwka, Michał Sokołowski, Michał Laskowski, Krzysztof Weber, Mateusz Rymar
• installations: WN Projekt
• signage: Joanna Katańska, Kolektyf
• investor: KTW sp. z o.o.
• usable floor area: 1413,74 sqm
• design: 2018
• realization: 2018
• photographs: Tomasz Zakrzewski
• awards: Office Superstar 2019 – 1st prize in ‘the Financial Industry Office’ category

TDJ’s office is located on the 6th floor of the KTW office building in Katowice, offering a panoramic view of the city. The interior reflects the company’s values: faith, responsibility, cooperation, openness and reliability, which we wanted to portray in the overall character of the space. The interior design combines the Silesian identity of the place with modernity, elegance and the highest quality.

The materials used in the design were chosen for their quality, nobility and honesty, and to become even more charming and durable over time. These include oak wood and dark Shou Sugi Ban wood – charred on the surface in the process of an ancient Japanese technique that protects the material and gives it a unique depth of colour. This is complemented by copper accents, which harmonise elegantly with the minimalist colour scheme, consistent with the colours of the TDJ logo.

• location: Poland, Warsaw, Q22 building – 35th floor
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Agnieszka Pliwka, Natalia Krzeszowska, Anna Szuba-Białas, Marta Kwolek, Tomasz Budziński, Michał Sokołowski, Mateusz Rymar, Piotr Dećko, Michał Laskowski
• graphics: Kolektyf
• investor: Echo Investment
• usable floor area: 866,06 sqm
• design: 2016-2017
• realization: 2017
• photographs: Tomasz Zakrzewski

• location: Poland, Cracow, ul. Czerwone Maki
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Agnieszka Morga, Lechosław Słomka, Aleksandra Rodo, Renata Szymik, Katarzyna Kruszenko, Sabina Sieczkowska, Michał Sokołowski
• investor: BUMA INWESTOR 6 spółka z ograniczoną odpowiedzialnością S.K.A
• total area: 44 878 sqm
• usable floor area: 21 394 sqm
• design: 2014
• realization: 2017
• cerification: BREEAM · International 2013 New Construction: Offices · Excellent
• photographs: Tomasz Zakrzewski

• location: Poland, Warsaw – Wilanów, ul. Świętej Urszuli Ledóchowskiej 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Beata Bańka, Mariusz Okrajek, Anna Pawełczyk, Jarosław Przybyłka, Michał Sokołowski, Mateusz Rymar, Konrad Basan, Piotr Dećko, Michał Laskowski
• signage & graphics: Kolektyf
• investor: Tacit Investment S.A.
• construction: Firma Inżynierska STATYK
• installations: Cegroup
• total area: 4961 m²
• photographs: Juliusz i Jędrzej Sokołowscy
• design: 2015
• realization: 2017
• certification: LEED Platinum
• awards:
  • ICONIC Awards 2020 / Innovative Architecture
  • European Property Award 2019 – 2020 – Grand Prix in the category: public building architecture
  • Nomination in European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2019
  • Architectural Award of the Mayor of the City of Warsaw – the best public building
  • POLITYKA Architecture Award 2018 – distinction
  • SARP Award of the Year 2018 – distinction
  • Property Design Awards 2018 in the category Design – Interiors: Public Facilities

This school has two faces: an urban one, with an urban facade that is simple (facing the city and the Temple of Divine Providence), and another youthful, semi-private one, in which all the varied lives of students and teachers will take place, as if from the Dead Poets Society. These were two worlds separated by a simple, uncluttered façade of the monumental 10-metre-high kind.

Behind the walls of the academy, a huge stand catches the eye. It is the universal element, a meeting place to inspire students and teachers for unusual lessons in PE, geography, biology or literature. Through this scaled-down piece of furniture, we wanted young people to get outside, but away from the hustle and bustle of the city. We wanted to design a place where young people could meet up with friends between classes. Already during our presentation to the investor, in order to exaggerate this atmosphere a little, we showed an excerpt from the film ‘Grease’, starring John Travolta and Olivia Newton-John, in which this American stand is more than just a place to watch athletic competitions or American football games – it is also a place for meetings, crushes, but also discussions with teachers, etc. We wanted to give the school something that would make it a place where young people could get together with their friends between classes. We wanted to give this school something to distinguish it beyond its attractive halls and interesting functional programme.

A canteen closer to a trendy restaurant. This is our way of conceiving of a contemporary common room. The main difference is that this place is not only open at lunchtime, but operates continuously changing its functions, from a canteen, to a cafeteria with a reading room and a living arteteca. It’s a place where you can work with literature, meet with a psychologist, wait for parents and, at the same time, sit at a laptop and do homework while preparing an essay. We wanted students there to learn the culinary arts from the kitchen in small groups, explore flavours and take inspiring culinary journeys – geography and gastronomy in one. That is why we have decided to extend this programme to include the roof space, where the garden will be located. We think there could be activities not only related to biology, but also physics, astronomy, geography, etc. All of this will probably result in students wanting to get on that roof. Beehives could be staged there during the summer season, basil, rosemary, thyme could be grown there, used later in the school canteen. There is increasing talk in urban planning of using roof spaces to introduce – again – greenery into the city.

Everyone there works in an oval table system, the teachers do not have a staff room, remaining constantly part of a certain compact educational ecosystem. This was the basis for the overall idea of creating a lifestyle atmosphere, encouraging people to stay in the school after school hours. Already the entrance area has been shaped to resemble a grotto, which is a place for young people to feel completely at ease, there are group meeting places, but also more intimate alleys where they can lie down and stretch their legs without restraint.

• location: Poland, Łódź, ul. Składowa / Nowowęglowa
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Justyna Siwińska-Pszoniak, Paulina Adamczyk, Mateusz Skalski, Konrad Basan, Maciej Spiess, Tymon Czyżewski, Damian Langer, Seweryn Wróblewski
• construction: figura.team
• industries: Elsanteam (water and sewerage), eNNpro (electrics), WN-PROJEKT (hvac), BZB Projekt (administrative procedures)
• investor: Skanska
• floor area: 21 300 sqm
• design: 2015
• realization: 2017
• photographs: Rafał Tomczyk, Skanska’s materials
• awards: distinction in the competition “Object of the year in Aluprof systems”
• certification: LEED · Core and Shell (v2009) · Gold

Łódź, like Silesia, is an industrial substance characterised by moderation, universality, typification and pragmatism. Looking for a simple yet functional idea for the façade of the building that was to flank the new Łódź station square, we reached for a repetitive module of cable trays. We decided that the functional use of these elements in the design of a simple office building would work perfectly in Łódź, a city that is full of examples of solid, functional and pragmatic architecture. The openwork form of the perforated troughs made it possible to introduce a play with light, while at the same time providing an opportunity to optimise the cost of the building façade itself.

We used a material – an object that had not been used in such a context before. It turned out that the lightweight yet rigid form of the factory-galvanised elements was perfect for this type of application. The perforated structure and the uneven rhythms of the modules will reflect light once and seep through again, constantly changing the appearance of the building.

The use of brass-coloured trays made it possible to ‘dress’ the simple block in a customised package, giving it a completely new, noble expression.

The walls on the courtyard side, in turn, were finished with standing seam sheet metal in a brass shade that was reminiscent of the external façade.

The courtyard itself, on the other hand, was to be user-friendly for the building’s users and open to the people of Łódź. We have introduced greenery into it, seats on the stands, electrical sockets in them, but also a summer cinema screen. All this means that by realising the Nowa Fabryczna building we have given the city’s residents an attractive space and a new quality.

• location: Poland, Warsaw
• interior design of common areas of office buildings : Medusa Group
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Bartłomiej Karaś, Anna Struska, Michalina Adamczyk, Anna Szuba-Białas, Anna Jabłońska, Michał Bienek, Grzegorz Dalmata, Michał Sokołowski, Konrad Basan, Mateusz Rymar
• office building architecture: JEMS Architekci
• Signage: Kolektyf
• graphics: Kolektyf, Mamastudio
• investor: Hala Koszyki Grayson Investments sp. z o. o. sp. k.
• floor area: 1 180 sqm
• design: 2015-2016
• realization: 2016
• photographs: Juliusz Sokołowski
• awards:
  • Property Design Awards 2018 – special jury award,
  • First prize in the category “Export work of Silesian architects” in the Architecture of the Year of the Silesian Voivodeship 2017 competition,
  • Grand Prix in the 3rd edition of the competition for the Architectural Award of the President of the City of Warsaw,
  • SARP Award of the Year 2016 – distinction,
  • Property Design Awadrs 2017 in the category ‘Interior Design – Shopping Centre’,
  • Architectural Award of Polityka 2016 – finalist.

• location: Poland, Warsaw
• design: JEMS Architekci
• interior architecture of the hall and landscaping of the outdoor areas: Medusa Group
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Bartłomiej Karaś, Anna Struska, Michalina Adamczyk, Anna Szuba-Białas, Anna Jabłońska, Michał Bienek, Grzegorz Dalmata, Natalia Sołjan, Michał Sokołowski, Konrad Basan, Mateusz Rymar
• Signage: Kolektyf
• graphics: Kolektyf, Mamastudio
• investor: Hala Koszyki Grayson Investments sp. z o. o. sp. k.
• usable floor area:
  • interior: 1 900 sqm,
  • exterior: 700 sqm
• design: 2015-2016
• realization: 2016
• photographs: Daniel Rumiancew
• signage: Medusa Group / Joanna Katańska / Kolektyf
• awards:
  • First prize in the category “Export work of Silesian architects” in the Architecture of the Year of the Silesian Voivodeship 2017 competition,
  • Grand Prix in the 3rd edition of the competition for the Architectural Award of the President of the City of Warsaw,
  • SARP Award of the Year 2016 – distinction,
  • Property Design Awadrs 2017 in the category “Interior Design – Shopping Centre”,
  • Architecture Award of Polityka 2016 – finalist

• Location: Poland, Radzionków
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Dorota Pala, Anna Struska, Michał Bienek, Bartłomiej Karaś, Michalina Adamczyk, Anna Szuba-Białas, Grzegorz Dalmata, Justyna Siwińska-Pszoniak, Paulina Adamczyk, Konrad Basan, Michał Sokołowski
• Ivnestor: KPE Nieruchomości S.A.
• Contractor: Milimex Sp. z o.o.
• Construction: figura.team
• Usable floor area: 900 m
• Design: 2015
• Realization: 2016
• Photographs: Tomasz Zakrzewski
• Awards:
  • Grand Prix and first prize in the “Object” category in the Architecture of the Year of the Silesian Voivodeship 2017 competition.
  • European Property Awards 2017 – Best office architecture in Europe and Poland.

• location: Poland, Bytom, ul. Matejki 1
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Daria Cieślak, Sabina Sieczkowska, Michał Sokołowski, Lukasz Stopczynski, Konrad Basan, Jan Wichrowski
• investor: Parafia rzymskokatolicka św. Jacka w Bytomiu
• contractor: Zakład Usług Remontowych DAR’C
• design: 2011
• realization: 2014
• awards:
  • nomination for the award Simon Architecture Prize – Living Places
  • nomination for the Mies van der Rohe Award 2015
• photographs: Tomasz Zakrzewski, Miłosz Jaksik
• film realization: Rumburak Produkcja

On the initiative of the Roman Catholic Parish of St. Hyacinth and the parishioners themselves, a new public space serving the local community was created in the socially and economically degraded center of Bytom’s Rozbark district. The space directly adjacent to the church was functionally and aesthetically connected to the area of the former square, which was transformed into a rosary garden, referring to the local legend of St. Hyacinth. This area with a religious character is a composition that is a background for the monumental edifice of the temple. In addition to the garden, the main elements of the entire establishment are two pavilions related to the parish’s educational and cultural activities.

Modern buildings with multifunctional rooms designed for youth work, exhibitions and concerts have become a place of rest and recreation, bringing together the activities of the district’s residents. The designed buildings function as religious day-care centers, a place for exhibitions and performances for small theatrical and musical forms. Both buildings have been integrated into the compositional layout of the new land development. Thanks to their contemporary design, they contrast with the historic edifice of the neo-Romanesque St. Hyacinth’s Church. while at the same time – in form and scale – they will maintain the historical hierarchy emphasizing the rank of the temple. Thanks to modern materials such as Corten and glass, however, they establish a generational dialogue with it.

The development has been designed in a modern way. Rainwater from the entire site and roof surfaces is collected in a special retention tank, which is placed several meters below the ground surface. The gray water is then used to water the greenery throughout the garden. The roofs of both buildings are overgrown with greenery, which serves primarily to integrate them into the surroundings of the historic temple and additionally affects, among other things, the thermal comfort of the buildings.

Thus, the garden designed at the church refers to the figure of St. Jack, the patron saint of the place, a teacher of rosary prayer. Along the alleys, religious elements were introduced in the form of rosary plaques and a centrally located Marian grotto with a pond. The whole is complemented by lighting in the form of twenty spheres, referring to the local rosary legend. In this way, the nameless space has been transformed into a religious meeting place that is a modern landmark of the city.

The preservation of some of the old-growth forest facilitated the smooth integration of new site development elements into the existing landscape.

Near the parish house, a rehearsal hall and outdoor stage building (Building A) was designed, along with immediate facilities. The building’s glazed facade, which can be pulled apart if necessary, opens the pavilion toward the church. In this way, the first floor of the building becomes a covered stage, serving outdoor events during the summer season. In the southern part of the site, a facility with a small day care center and accommodations was located (building B). It was kept in the same style, so that together with the new landscaping around the church and the rehearsal hall building, they constitute a compact and coherent material and spatial concept.

To further separate this space, a bench was located in the corner, which encloses the surroundings (auditorium) by the building. This small architectural form, is meant to provoke stopping and prayerful contemplation. The building itself houses rooms for various classes and theatrical, musical and exhibition events, so the interior was designed using economical means, using friendly materials such as wood and large-format prints depicting events from the history of the Rozbark district of Bytom.

• location: Poland, Bytom, Plac Karin Stanek 1
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Michał Sokołowski, Konrad Basan, Michał Frączek, Zuzanna Mielczarek
• investor: private
• usable floor area: 158 sqm
• design: 2012
• realization: 2013

Jazz Club Fantom is a place known to people who love good music and good cuisine, an uncompromising place on the Silesian map of the region. Since its establishment in 1998, the club has been known and appreciated for its approach to presenting alternative sounds and smuggling new musical trends.

Functional changes made during the general refurbishment of the building in which Fantom is located forced the investor to make a serious decision, which resulted in a new creation of the premises and a change of the interior design. Despite the impression of radical changes, the spirit of the well-known Fantom remained, which was important to both the conscious investor and the architects. All the changes were made against the background of the old substance and the finish of the walls, which became, as it were, a leitmotif and a link in the story between the old and new eras of the premises. Due to the change in the club’s spatial layout, it was necessary to take a new look at aspects of the bar and stage. The bar took the form of old shop refrigerators against which a functional composition of old, polished cabinets and wall units was created, while an industrial container serves as an intimate stage during concerts. In view of the club’s strong culinary connotations, a bistro-type room was created in which the raw walls were complemented by oak boards to soften the room’s cool character. The raw, industrial, radical interior was furnished with warm and cosy furniture from the late 1960s and early 1970s and complemented by ambient lighting, creating a balanced compilation of such radically different aesthetics.

Today, after the reopening of the premises, it is safe to say that the renovation is over… against all appearances, because Fantom in its new formula is still a club without compromises.

• location: Poland, Gliwice, ul. Zygmunta starego
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Kuba Pudo, Tomasz Majewski, Dominik Jaksik, Dawid Beil, Krzysztof Drozda, Justyna Siwińska-Pszoniak, Agnieszka Szewera, Jakub Magoń
• exemplary appartment interior design: Agnieszka Glińska i Ewa Marcinek
• construction: Firma Inżynierska STATYK
• investor: Wektor Inwestycje sp. z o.o.
• usable floor area: 5 000 sqm
• design: 2007-2008
• realization: 2009
• award: Superjednostka 2010
• photographs: Tomasz Zakrzewski

The historic granary building is located in an attractive part of Gliwice filled with low and medium-rise residential buildings, a rarity in the location of post-industrial buildings. It was originally used as a grain warehouse and, in the post-war period, as a medicines store next to the adjacent Military Hospital. The adaptation did not involve any significant changes to the body of the building, only that two external circulation shafts clad in Cor-Ten steel were added due to the designed layout of the flats. An exotic wood terrace was designed between the newly designed circulation shafts, extending the commercial and retail functions located on the ground floor. The façade of the building was renovated and restored, the original castiron joinery was removed, and replaced with wood joinery that meets the thermal requirements. Given the repetitive layout of the storeys, based on a structural grid of wooden columns, it was assumed that it would be possible to incorporate various variants for the development of residential functions. On the ground floor, services, commercial or office functions are envisaged in open-space areas, with the possibility of any arrangement by the future client. The interiors of the flats and commercial premises have been left in their original character – raw brick and wooden construction in natural colour. These elements were only cleaned and impregnated. The internal staircases were restored and contemporary lifts were introduced.

• location: Poland, Klecza Dolna
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Anna Gołyga, Magdalena Stanik-Banasik, Katarzyna Chobot, Jagoda Kus, Agnieszka Szewera-Drozda, Sandra Przepiórkowska, Marta Boryczka, Łukasz Pieszka, Jakub Pudo, Sabina Sieczkowska, Lechosław Słomka, Grzegorz Pietraszuk, Daria Cieślak, Dorota Pala, Izabela Moskal, Anna Szuba-Białas, Aleksandra Mazur, Tomasz Drozd
• investor: Fundacja Campus Bemke
• construction: Figura Team
• installations: Elsanteam, eNNpro, WN-PROJEKT
• landscape design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• road design: Seweryn Wróblewski
• plot area: 14 153 sqm
• usable floor area: 3 312 sqm
• design: 2022-2023
• realization: under construction

Campus Bemke, which appears in the investor’s name, is a multi-phase project in which the construction of several educational facilities with an extensive surrounding area is planned. The school for years 4-8 is the first of these.

The building, consisting of several blocks – ‘chattel houses’ – tries to fit into the surrounding context and landscape. Contrary to the first impression, the broken-up volumes of the individual houses are connected to each other at ground level. This shape has allowed the school to blend in with the considerable differences in the terrain.

The façade material is also distinctive – ceramic moulding, which refers to the history of the site. Over a century ago, a brickworks was built there. The moulding covers all facades and also the roofs of the building.

In addition to the core curriculum of the primary school, less typical spaces have been planned in the building. The western section is entirely dedicated to specialist laboratories, where, in addition to a chemistry or physics room, there will also be a sewing and photography workshop, a prototyping and electronics workshop. There will also be places where pupils can spend time during breaks. One of these is a pergola located on the school grounds.

• location: Japan, Osaka
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Tomasz Drozd, Patrycja Jonda, Małgorzata Kasińska, Aleksandra Mazur, Miłosława Niezgoda, Aleksandra Nowak, Michał Sokołowski, Karol Wiśniewski, Adam Wasilewski
• design: 2022-2023
• awards: mention in the competition for the architectural concept of the Polish Pavilion at the EXPO2025 World Exhibition in Osaka.

“Designing Future Society for Our Lives” (Designing Future Society for Our Lives). This was the task set for all the countries that will participate in the Osaka World EXPO.

Thinking about the future, thinking about the future society, we designed a pavilion that was to carry a message, and that was to contribute as little as possible to environmental devastation. In cooperation with local organizations, forgoing intercontinental transportation, our pavilion was to be built from recycled materials. Selective demolition of buildings, warehouses and landfills, would provide the building blocks for the formation of the building’s body.

Obtained reinforced concrete prefabricated elements, glazing, windows, compressed aluminum waste blocks, electro-waste, body parts are to form not only the facade, but also the main thesis of the project: Saving Lives.

Manifesting the problems not only of the Polish environment, we call for cooperation and responsible conduct. 

Being in Japan for a while, we do not want to burden the global as well as the local environment. This requires cooperation, and this cooperation can in turn become an example for broader actions to bring hope to the future society.

• location: Poland, Warsaw, ul. Elektryczna 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Izabela Moskal, Natalia Sołjan, Maja Gacka, Dorota Pala
• signage: David Racchi
• investor: Martin Gimenez Castro, David Racchi
• usable floor area: 172,6 sqm
• design: 2021/2022
• realization: 2022
• photographs: Tomasz Zakrzewski

Tuna Restaurant in Warsaw is a unique culinary and design project created by chef Martin Gimenez Castro and Australian designer David Racchi. Located at 2 Elektryczna Street in Warsaw, the restaurant presents a seafood-based menu that celebrates the principles of zero waste and responsible fishing. The restaurant’s speciality is a creative approach to serving fish and seafood, exposing not only their taste but also the variety of ingredients, which are sourced from trusted, sustainable sources.

The restaurant’s interior harmonises with the marine theme – it is designed to reflect the atmosphere of the ocean depths. The décor is inspired by the natural shades of water, which are combined with minimalist interior elements. The most distinctive element of the interior is the finish of the walls with 25,000 tin can lids. With this simple treatment, the space takes on an elegant and unique character. Medusa Group and David Racchi are jointly responsible for the design concept. Our collaboration expresses a passion for high-quality culinary experiences and modern design, which gives the restaurant a unique character and atmosphere that introduces guests to the underwater world of culinary travel.

• Location: Poland, Warsaw, Żerań
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Wojciech Funkiewicz, Magdalena Kołłątaj, Jan Wichrowski, Marta Boryczka, Agnieszka Kuczyńska, Agnieszka Majcher-Lisowicz, Michał Sokołowski, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur
• Investor: CD PROJEKT S.A.
• Landscape architecture: Florabo, KASS
• Construction and installations: WSP Polska
• Facade design: Studio Profil
• Roads: Civil Transport Designers s.c.
• Fire protection: PROTECT
• Usable floor area: 4730,2 m²
• Design: 2020-2021
• Realization: 2021-2022

The shape of the closed car park building is the result of an analysis of the investor’s expectations and planning guidelines set out in the Conditions of Development and Land Use issued for the plot. The body of the building consists of two underground storeys and two overground storeys. From the western side, exposed to the existing office buildings used by the Investor, terrace faults of the overground storeys were designed, planted with climbing plants on the vertical fragments of the wall. From the southern side, by the garage entrance gate, a ground floor arcade was designed, marking the entrance zone to the building. On the eastern side, the elevation was designed parallel to the impassable line of development, determined according to the conditions of development and land use. On the roof of the closed car park block there is a recreational space designed for employees of the neighbouring complex of office buildings. The recreational space on the roof has been fenced with a light, openwork mesh. On the west side, an irregularly shaped ramp was designed as an entrance to the recreational roof from the ground level. The entire structure of the closed car park was covered with perforated polished metal sheet with an irregular side profile.

The main task of the designed building is to supplement the demand for parking spaces related to the constantly growing staff of CD Projekt company. At the same time the object is to be supplemented with recreational functions constituting an additional asset for employees and the surrounding community. The solutions applied in the design of the multi-storey car park are in line with the investor’s ambitions to create a space characterised not only by high quality architectural and functional solutions but also being the beginning of the process of changes in the post-industrial district of Warsaw. Emphasis on pro-ecological and low-emission solutions as well as responsibility and care for nature, which are the Investor’s guiding principles when initiating this project, will constitute the basic assumptions for subsequent stages of the investment.

• location: Warsaw / Poland, Wilcza street
• investor: Tacit Investment S.A.
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Aleksandra Nowak, Dorota Pala, Wojtek Funkiewicz, Magda Kołłątaj, Paulina Skalska, Kasia Chobot, Natalia Krzeszowska, Izabela Moskal, Natalia Sołjan, Magdalena Stanik-Banasik, Weronika Korpalska, Anna Szuba-Białas, Anna Wawrzyniak, Tomasz Budziński, Monika Muszyńska, Michał Sokołowski, Mateusz Rymar, Michał Laskowski, Krzysztof Weber
• total area:  11 830 sqm
• design: 2017
• realization: 2020
• certification: LEED · New Construction (v2009) · Gold
• photographs: Juliusz Sokołowski, Nate Cook
• awards:
  • World Luxury Hotel Awards:
    • Best Luxury Lifestyle Hotel 2023 Poland
    • Best Luxury Design Hotel 2023 Poland
    • Best Luxury Conferences & Events Hotel 2023 Europe
  • 2nd place in the 4th edition of the “Object of the Year in Aluprof Systems 2022” competition;
  • TOP Builder 2022;
  • The Plan Award 2021: winner in “Hospitality” category;
  • European Property Awards 2021-2022:
    • “Hotel Architecture Poland” winner;
    • “Hotel Interior Poland” ⭐⭐⭐⭐⭐;
    • “New Hotel Construction & Design Poland” ⭐⭐⭐⭐⭐;
    • “Bathroom Design Poland” ⭐⭐⭐⭐⭐;
    • nominations in following categories: “Best New Hotel Construction & Design Europe”, “Best Hotel Interior Europe”, “Best Bathroom Design Europe”;
  • laureate of Architectural Award of POLITYKA 2020;
  • 1st place in “Hotel” category in Art in Architecture Festival along with Tacit Investment Polska S.A.

• location: Poland, Łódź, ul. Tymienieckiego / ul. Milionowa
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Michał Bienek, Katarzyna Chobot, Adela Czeczotka, Piotr Dećko, Marija Gawąd, Michał Gawron, Jagoda Kus, Damian Langer, Michał Laskowski, Mateusz Małecki, Aleksandra Mazur, Agnieszka Morga-Bałamut, Sandra Przepiórkowska, Mateusz Rymar, Tymoteusz Sapa, Justyna Siwińska-Pszoniak, Paulina Słocińska, Lechosław Słomka, Michał Sokołowski, Bożena Wróbel, Ewa Zielonka-Mossoczy
• construction: BZB Projekt, Industria Project
• installations: Elsanteam, eNNpro, WN-PROJEKT
• network infrastructure and administrative procedures: BZB Projekt
• road design: Seweryn Wróblewski
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• conservation work programme: ARCHI-PROJEKT Szymon Herman
• investor: Echo Investment
• usable floor area: 3 250 sqm
• land area: 24 062 sqm
• design: 2019-2020
• realization:since 2020
• photographs: Rafał Tomczyk
• investment website: https://fuzja-echo.pl/
• awards:
  • distinction in the “Designed for People” competition for Anna’s Gardens,
  • finalist in The European Prize for Urban Public Space competition

• location: Poland, Wrocław, pl. Katedralny
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Łukasz Chmiel, Tomasz Budziński, Paulina Słocińska, Magdalena Maj, Monika Muszyńska, Aleksandra Weber, Michał Laskowski, Krzysztof Weber, Michał Sokołowski, Mateusz Rymar
• investor: Tacit Investment
• total area: 12 630 sqm
• design: 2017
• realization: 2019
• photographs: Maciej Lulko
• certification: LEED 2009 New Construction and Major Renovation – GOLD
• awards:
  • THA Travel & Hospitality Awards 2024: Winner – Luxury Hotel of the Year – Poland,
  • LUXE Global Awards 2023: Best Luxury MICE Hotel – National Win,
  • LUXE Global Awards 2023: Best Luxury Design Hotel – Global Win,
  • Booking.com Traveller Review Awards,
  • SHE Travel Club: Platinum Label 2023,
  • World Luxury Hotel Awards: Best Luxury Architecture Design Hotel in Eastern Europe,
  • 2020-2021 European Property Awards: Best Hotel Interior Poland,
  • 2020-2021 European Property Awards: Best Hotel Interior Europe

• location: Dhaka, Bangladesh
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Łukasz Iwan, Paulina Słocińska, Łukasz Chmiel, Aleksandra Weber, Anna Gołyga, Kuba Świdziński, Jarek Przybyłka, Michał Laskowski, Mateusz Małecki, Krzysztof Weber, Michał Gawron, Tymoteusz Sapa, Aleksandra Mazur, Michał Sokołowski
• investor: private
• design: 2019

• location: Poland, Warsaw – Wilanów, ul. Świętej Urszuli Ledóchowskiej 2
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Beata Bańka, Mariusz Okrajek, Anna Pawełczyk, Jarosław Przybyłka, Michał Sokołowski, Mateusz Rymar, Konrad Basan, Piotr Dećko, Michał Laskowski
• signage & graphics: Kolektyf
• investor: Tacit Investment S.A.
• construction: Firma Inżynierska STATYK
• installations: Cegroup
• total area: 4961 m²
• photographs: Juliusz i Jędrzej Sokołowscy
• design: 2015
• realization: 2017
• certification: LEED Platinum
• awards:
  • ICONIC Awards 2020 / Innovative Architecture
  • European Property Award 2019 – 2020 – Grand Prix in the category: public building architecture
  • Nomination in European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2019
  • Architectural Award of the Mayor of the City of Warsaw – the best public building
  • POLITYKA Architecture Award 2018 – distinction
  • SARP Award of the Year 2018 – distinction
  • Property Design Awards 2018 in the category Design – Interiors: Public Facilities

This school has two faces: an urban one, with an urban facade that is simple (facing the city and the Temple of Divine Providence), and another youthful, semi-private one, in which all the varied lives of students and teachers will take place, as if from the Dead Poets Society. These were two worlds separated by a simple, uncluttered façade of the monumental 10-metre-high kind.

Behind the walls of the academy, a huge stand catches the eye. It is the universal element, a meeting place to inspire students and teachers for unusual lessons in PE, geography, biology or literature. Through this scaled-down piece of furniture, we wanted young people to get outside, but away from the hustle and bustle of the city. We wanted to design a place where young people could meet up with friends between classes. Already during our presentation to the investor, in order to exaggerate this atmosphere a little, we showed an excerpt from the film ‘Grease’, starring John Travolta and Olivia Newton-John, in which this American stand is more than just a place to watch athletic competitions or American football games – it is also a place for meetings, crushes, but also discussions with teachers, etc. We wanted to give the school something that would make it a place where young people could get together with their friends between classes. We wanted to give this school something to distinguish it beyond its attractive halls and interesting functional programme.

A canteen closer to a trendy restaurant. This is our way of conceiving of a contemporary common room. The main difference is that this place is not only open at lunchtime, but operates continuously changing its functions, from a canteen, to a cafeteria with a reading room and a living arteteca. It’s a place where you can work with literature, meet with a psychologist, wait for parents and, at the same time, sit at a laptop and do homework while preparing an essay. We wanted students there to learn the culinary arts from the kitchen in small groups, explore flavours and take inspiring culinary journeys – geography and gastronomy in one. That is why we have decided to extend this programme to include the roof space, where the garden will be located. We think there could be activities not only related to biology, but also physics, astronomy, geography, etc. All of this will probably result in students wanting to get on that roof. Beehives could be staged there during the summer season, basil, rosemary, thyme could be grown there, used later in the school canteen. There is increasing talk in urban planning of using roof spaces to introduce – again – greenery into the city.

Everyone there works in an oval table system, the teachers do not have a staff room, remaining constantly part of a certain compact educational ecosystem. This was the basis for the overall idea of creating a lifestyle atmosphere, encouraging people to stay in the school after school hours. Already the entrance area has been shaped to resemble a grotto, which is a place for young people to feel completely at ease, there are group meeting places, but also more intimate alleys where they can lie down and stretch their legs without restraint.

• location: Poland, Warsaw
• design: JEMS Architekci
• interior architecture of the hall and landscaping of the outdoor areas: Medusa Group
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Bartłomiej Karaś, Anna Struska, Michalina Adamczyk, Anna Szuba-Białas, Anna Jabłońska, Michał Bienek, Grzegorz Dalmata, Natalia Sołjan, Michał Sokołowski, Konrad Basan, Mateusz Rymar
• Signage: Kolektyf
• graphics: Kolektyf, Mamastudio
• investor: Hala Koszyki Grayson Investments sp. z o. o. sp. k.
• usable floor area:
  • interior: 1 900 sqm,
  • exterior: 700 sqm
• design: 2015-2016
• realization: 2016
• photographs: Daniel Rumiancew
• signage: Medusa Group / Joanna Katańska / Kolektyf
• awards:
  • First prize in the category “Export work of Silesian architects” in the Architecture of the Year of the Silesian Voivodeship 2017 competition,
  • Grand Prix in the 3rd edition of the competition for the Architectural Award of the President of the City of Warsaw,
  • SARP Award of the Year 2016 – distinction,
  • Property Design Awadrs 2017 in the category “Interior Design – Shopping Centre”,
  • Architecture Award of Polityka 2016 – finalist

• location: Poland, Bytom, ul. Matejki 1
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Daria Cieślak, Sabina Sieczkowska, Michał Sokołowski, Lukasz Stopczynski, Konrad Basan, Jan Wichrowski
• investor: Parafia rzymskokatolicka św. Jacka w Bytomiu
• contractor: Zakład Usług Remontowych DAR’C
• design: 2011
• realization: 2014
• awards:
  • nomination for the award Simon Architecture Prize – Living Places
  • nomination for the Mies van der Rohe Award 2015
• photographs: Tomasz Zakrzewski, Miłosz Jaksik
• film realization: Rumburak Produkcja

On the initiative of the Roman Catholic Parish of St. Hyacinth and the parishioners themselves, a new public space serving the local community was created in the socially and economically degraded center of Bytom’s Rozbark district. The space directly adjacent to the church was functionally and aesthetically connected to the area of the former square, which was transformed into a rosary garden, referring to the local legend of St. Hyacinth. This area with a religious character is a composition that is a background for the monumental edifice of the temple. In addition to the garden, the main elements of the entire establishment are two pavilions related to the parish’s educational and cultural activities.

Modern buildings with multifunctional rooms designed for youth work, exhibitions and concerts have become a place of rest and recreation, bringing together the activities of the district’s residents. The designed buildings function as religious day-care centers, a place for exhibitions and performances for small theatrical and musical forms. Both buildings have been integrated into the compositional layout of the new land development. Thanks to their contemporary design, they contrast with the historic edifice of the neo-Romanesque St. Hyacinth’s Church. while at the same time – in form and scale – they will maintain the historical hierarchy emphasizing the rank of the temple. Thanks to modern materials such as Corten and glass, however, they establish a generational dialogue with it.

The development has been designed in a modern way. Rainwater from the entire site and roof surfaces is collected in a special retention tank, which is placed several meters below the ground surface. The gray water is then used to water the greenery throughout the garden. The roofs of both buildings are overgrown with greenery, which serves primarily to integrate them into the surroundings of the historic temple and additionally affects, among other things, the thermal comfort of the buildings.

Thus, the garden designed at the church refers to the figure of St. Jack, the patron saint of the place, a teacher of rosary prayer. Along the alleys, religious elements were introduced in the form of rosary plaques and a centrally located Marian grotto with a pond. The whole is complemented by lighting in the form of twenty spheres, referring to the local rosary legend. In this way, the nameless space has been transformed into a religious meeting place that is a modern landmark of the city.

The preservation of some of the old-growth forest facilitated the smooth integration of new site development elements into the existing landscape.

Near the parish house, a rehearsal hall and outdoor stage building (Building A) was designed, along with immediate facilities. The building’s glazed facade, which can be pulled apart if necessary, opens the pavilion toward the church. In this way, the first floor of the building becomes a covered stage, serving outdoor events during the summer season. In the southern part of the site, a facility with a small day care center and accommodations was located (building B). It was kept in the same style, so that together with the new landscaping around the church and the rehearsal hall building, they constitute a compact and coherent material and spatial concept.

To further separate this space, a bench was located in the corner, which encloses the surroundings (auditorium) by the building. This small architectural form, is meant to provoke stopping and prayerful contemplation. The building itself houses rooms for various classes and theatrical, musical and exhibition events, so the interior was designed using economical means, using friendly materials such as wood and large-format prints depicting events from the history of the Rozbark district of Bytom.

• location: Poland, Bytom, Plac Karin Stanek 1
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Michał Sokołowski, Konrad Basan, Michał Frączek, Zuzanna Mielczarek
• investor: private
• usable floor area: 158 sqm
• design: 2012
• realization: 2013

Jazz Club Fantom is a place known to people who love good music and good cuisine, an uncompromising place on the Silesian map of the region. Since its establishment in 1998, the club has been known and appreciated for its approach to presenting alternative sounds and smuggling new musical trends.

Functional changes made during the general refurbishment of the building in which Fantom is located forced the investor to make a serious decision, which resulted in a new creation of the premises and a change of the interior design. Despite the impression of radical changes, the spirit of the well-known Fantom remained, which was important to both the conscious investor and the architects. All the changes were made against the background of the old substance and the finish of the walls, which became, as it were, a leitmotif and a link in the story between the old and new eras of the premises. Due to the change in the club’s spatial layout, it was necessary to take a new look at aspects of the bar and stage. The bar took the form of old shop refrigerators against which a functional composition of old, polished cabinets and wall units was created, while an industrial container serves as an intimate stage during concerts. In view of the club’s strong culinary connotations, a bistro-type room was created in which the raw walls were complemented by oak boards to soften the room’s cool character. The raw, industrial, radical interior was furnished with warm and cosy furniture from the late 1960s and early 1970s and complemented by ambient lighting, creating a balanced compilation of such radically different aesthetics.

Today, after the reopening of the premises, it is safe to say that the renovation is over… against all appearances, because Fantom in its new formula is still a club without compromises.

• location: Łódź, ul. Tymienieckiego 13a
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Małgorzata Czechowicz, Justyna Siwińska-Pszoniak, Paulina Słocińska, Sebastian Dziedzic, Andrzej Dukalski, Damian Langer, Małgorzata Kasińska, Izabela Moskal, Natalia Sołjan, Adela Czeczotka, Aleksandra Mazur, Tomek Drozd, Adam Wasilewski, Michał Sokołowski
• consruction: Industria Project
• installations: Elsanteam, eNNpro, WN-PROJEKT, BZB Projekt (sieci-procedury administracyjne), Marcin Wejner (sieci), Pracownia Projektowa Luksan (sieci, procedury administracyjne)
• road design: Seweryn Wróblewski
• signage: Joanna Katańska
• greenery design: Krzysztof Kass KASS-Architektura Krajobrazu
• conservation work programme: Archi-projekt Szymon Herman
• eexpert opinion on building physics: W-ART Robert Wójcik
• chemical and mycological tests: AONT Akademicki Ośrodek Naukowo-Techniczny
• investor: Echo Investment
• usable floor area: 11 762 m²
• design: 2021-2023
• realization: od 2023
• investment website: https://echo-fuzja.pl/lofty

The G02 building consists of two parts: a two-storey printing shop, drapery, ink kitchen and drying room built at the end of the 19th century, and an engraving and rolling mill added in the early 20th century. The expansion of the building is reflected in the façade: the lower part has arched vaulted windows, the upper part has arched vaults only on the ground floor, with modernist rectangular large-format windows above. The local development plan allows for the superstructure of the building. This provided the potential to create a diverse range of flats: from tall loft flats with mezzanine floors directly adjacent to the existing walls, to standard height flats located in the new superstructure. The project was developed in close collaboration with the Provincial Office for Historic Preservation. A number of analytical studies were produced to help us place the new function in the old walls in the best possible way.

• location: Poland, Łódź, ul. Tymienieckiego 13b
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Małgorzata Czechowicz, Justyna Siwińska-Pszoniak, Monika Węglińska-Szymczak, Marcin Lech, Paulina Słocińska, Sebastian Dziedzic, Andrzej Dukalski, Agnieszka Majcher-Lisowicz, Marta Präg, Adela Czeczotka, Małgorzata Kasińska, Łukasz Chmiel, Karolina Gil, Grzegorz Pietraszuk, Michał Bienek, Jakub Koźlik, Aleksandra Mazur, Mateusz Małecki, Tomek Drozd, Adam Wasilewski, Michał Sokołowski
• construction: Industria Project
• industries: Elsanteam, eNNpro, WN-PROJEKT, BZB Projekt (networks-administrative procedures), Marcin Wejner (networks), Pracownia Projektowa Luksan (networks, administrative procedures)
• road design: Seweryn Wróblewski
• signage: Wunder Fabrik
• greenery design: Krzysztof Kass KASS-Architektura Krajobrazu
• programme of conservation work on the building: Archi-projekt Szymon Herman
• programme of polychrome conservation works: Pracownia Konservacji Architektury Malarstwa i Rzeźby Restauro (Conservation Studio of Architecture, Painting and Sculpture Restauro)
• building physics expertise: W-ART Robert Wójcik
• investor: Echo Investment
• usable floor area: 8 840 sqm
• design: 2021-2022
• realization: since 2022
• investment site: https://echo-fuzja.pl/lofty
• awards: distinction in international competition of the Schock Group

• location: Warsaw / Poland, Wilcza street
• investor: Tacit Investment S.A.
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Aleksandra Nowak, Dorota Pala, Wojtek Funkiewicz, Magda Kołłątaj, Paulina Skalska, Kasia Chobot, Natalia Krzeszowska, Izabela Moskal, Natalia Sołjan, Magdalena Stanik-Banasik, Weronika Korpalska, Anna Szuba-Białas, Anna Wawrzyniak, Tomasz Budziński, Monika Muszyńska, Michał Sokołowski, Mateusz Rymar, Michał Laskowski, Krzysztof Weber
• total area:  11 830 sqm
• design: 2017
• realization: 2020
• certification: LEED · New Construction (v2009) · Gold
• photographs: Juliusz Sokołowski, Nate Cook
• awards:
  • World Luxury Hotel Awards:
    • Best Luxury Lifestyle Hotel 2023 Poland
    • Best Luxury Design Hotel 2023 Poland
    • Best Luxury Conferences & Events Hotel 2023 Europe
  • 2nd place in the 4th edition of the “Object of the Year in Aluprof Systems 2022” competition;
  • TOP Builder 2022;
  • The Plan Award 2021: winner in “Hospitality” category;
  • European Property Awards 2021-2022:
    • “Hotel Architecture Poland” winner;
    • “Hotel Interior Poland” ⭐⭐⭐⭐⭐;
    • “New Hotel Construction & Design Poland” ⭐⭐⭐⭐⭐;
    • “Bathroom Design Poland” ⭐⭐⭐⭐⭐;
    • nominations in following categories: “Best New Hotel Construction & Design Europe”, “Best Hotel Interior Europe”, “Best Bathroom Design Europe”;
  • laureate of Architectural Award of POLITYKA 2020;
  • 1st place in “Hotel” category in Art in Architecture Festival along with Tacit Investment Polska S.A.

• location: Poland, Łódź, ul. Tymienieckiego / ul. Milionowa
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Michał Bienek, Katarzyna Chobot, Adela Czeczotka, Piotr Dećko, Marija Gawąd, Michał Gawron, Jagoda Kus, Damian Langer, Michał Laskowski, Mateusz Małecki, Aleksandra Mazur, Agnieszka Morga-Bałamut, Sandra Przepiórkowska, Mateusz Rymar, Tymoteusz Sapa, Justyna Siwińska-Pszoniak, Paulina Słocińska, Lechosław Słomka, Michał Sokołowski, Bożena Wróbel, Ewa Zielonka-Mossoczy
• construction: BZB Projekt, Industria Project
• installations: Elsanteam, eNNpro, WN-PROJEKT
• network infrastructure and administrative procedures: BZB Projekt
• road design: Seweryn Wróblewski
• greenery design: Krzysztof Kass KASS-ARCHITEKTURA KRAJOBRAZU
• conservation work programme: ARCHI-PROJEKT Szymon Herman
• investor: Echo Investment
• usable floor area: 3 250 sqm
• land area: 24 062 sqm
• design: 2019-2020
• realization:since 2020
• photographs: Rafał Tomczyk
• investment website: https://fuzja-echo.pl/
• awards:
  • distinction in the “Designed for People” competition for Anna’s Gardens,
  • finalist in The European Prize for Urban Public Space competition

• location: Poland, Warsaw
• design: JEMS Architekci
• interior architecture of the hall and landscaping of the outdoor areas: Medusa Group
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dorota Pala, Natalia Krzeszowska, Bartłomiej Karaś, Anna Struska, Michalina Adamczyk, Anna Szuba-Białas, Anna Jabłońska, Michał Bienek, Grzegorz Dalmata, Natalia Sołjan, Michał Sokołowski, Konrad Basan, Mateusz Rymar
• Signage: Kolektyf
• graphics: Kolektyf, Mamastudio
• investor: Hala Koszyki Grayson Investments sp. z o. o. sp. k.
• usable floor area:
  • interior: 1 900 sqm,
  • exterior: 700 sqm
• design: 2015-2016
• realization: 2016
• photographs: Daniel Rumiancew
• signage: Medusa Group / Joanna Katańska / Kolektyf
• awards:
  • First prize in the category “Export work of Silesian architects” in the Architecture of the Year of the Silesian Voivodeship 2017 competition,
  • Grand Prix in the 3rd edition of the competition for the Architectural Award of the President of the City of Warsaw,
  • SARP Award of the Year 2016 – distinction,
  • Property Design Awadrs 2017 in the category “Interior Design – Shopping Centre”,
  • Architecture Award of Polityka 2016 – finalist

• Location: Poland, Radzionków
• Architects: Przemo Łukasik, Łukasz Zagała
• Associate architects: Dorota Pala, Anna Struska, Michał Bienek, Bartłomiej Karaś, Michalina Adamczyk, Anna Szuba-Białas, Grzegorz Dalmata, Justyna Siwińska-Pszoniak, Paulina Adamczyk, Konrad Basan, Michał Sokołowski
• Ivnestor: KPE Nieruchomości S.A.
• Contractor: Milimex Sp. z o.o.
• Construction: figura.team
• Usable floor area: 900 m
• Design: 2015
• Realization: 2016
• Photographs: Tomasz Zakrzewski
• Awards:
  • Grand Prix and first prize in the “Object” category in the Architecture of the Year of the Silesian Voivodeship 2017 competition.
  • European Property Awards 2017 – Best office architecture in Europe and Poland.

• location: Poland, Gliwice, ul. Zygmunta starego
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Rafał Dziedzic, Kuba Pudo, Tomasz Majewski, Dominik Jaksik, Dawid Beil, Krzysztof Drozda, Justyna Siwińska-Pszoniak, Agnieszka Szewera, Jakub Magoń
• exemplary appartment interior design: Agnieszka Glińska i Ewa Marcinek
• construction: Firma Inżynierska STATYK
• investor: Wektor Inwestycje sp. z o.o.
• usable floor area: 5 000 sqm
• design: 2007-2008
• realization: 2009
• award: Superjednostka 2010
• photographs: Tomasz Zakrzewski

The historic granary building is located in an attractive part of Gliwice filled with low and medium-rise residential buildings, a rarity in the location of post-industrial buildings. It was originally used as a grain warehouse and, in the post-war period, as a medicines store next to the adjacent Military Hospital. The adaptation did not involve any significant changes to the body of the building, only that two external circulation shafts clad in Cor-Ten steel were added due to the designed layout of the flats. An exotic wood terrace was designed between the newly designed circulation shafts, extending the commercial and retail functions located on the ground floor. The façade of the building was renovated and restored, the original castiron joinery was removed, and replaced with wood joinery that meets the thermal requirements. Given the repetitive layout of the storeys, based on a structural grid of wooden columns, it was assumed that it would be possible to incorporate various variants for the development of residential functions. On the ground floor, services, commercial or office functions are envisaged in open-space areas, with the possibility of any arrangement by the future client. The interiors of the flats and commercial premises have been left in their original character – raw brick and wooden construction in natural colour. These elements were only cleaned and impregnated. The internal staircases were restored and contemporary lifts were introduced.

• location: Katowice
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Jagoda Kus, Karolina Gil, Agnieszka Morga-Bałamut, Agnieszka Szewera-Drozda, Monika Węglińska-Szymczak, Marcin Lech, Agnieszka Majcher-Lisowicz, Marta Präg, Andrzej Dukalski, Klaudia Matura, Patrycja Iskra, Małgorzata Kasińska, Tomasz Drozd, Michał Sokołowski,
• investor: Archicom
• construction: Statyk
• installations: Elsanteam, eNNpro, WN-PROJEKT
• greenery design: Krzysztof Kass KASS-Architektura Krajobrazu
• road design: Seweryn Wróblewski
• signage: Kolektyf
• total area: 34 319,5 sqm
• usable floor area: 14 838 sqm
• design: 2023-2024
• realisation: under construction

• location: Poland, Katowice
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Anna Siwińska, Jarosław Przybyłka, Marta Frączyk, Łukasz Iwan, Jakub Świdziński, Michał Sokołowski, Mateusz Rymar, Konrad Basan, Krzysztof Weber
• investor: TDJ Estate sp. z o. o.
• total area:
  • stage I: 38 090 sqm
  • stage II: 36 291 sqm
  • stage III: 36 326 sqm
• usable floor area:
  • stage I: 16 100 sqm
  • stage II: 15 254 sqm
  • stage III: 15 154 sqm
  • stage IV: 15 179 sqm
• design: 2016
• realization:
  • stage I: 2021
  • stage II: 2024
  • stage III: under construction
• awards: European Property Awards 2022 in Residential High-rise Architecture category
• photographs: Szymon Król, Juliusz Sokołowski, Tomasz Zakrzewski, TDJ Estate, Wojciech Radwański

• location: Poznań, Poland
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Leszek Fliciński, Krzysztof Pyta, Sabina Sieczkowska, Michał Sokołowski
• investor: REVIVE Poland Sp. z o.o.
• usable floor area: 13 900 sqm
• design 2023
• realization: concept design

• location: Łódź, ul. Tymienieckiego 13a
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Małgorzata Czechowicz, Justyna Siwińska-Pszoniak, Paulina Słocińska, Sebastian Dziedzic, Andrzej Dukalski, Damian Langer, Małgorzata Kasińska, Izabela Moskal, Natalia Sołjan, Adela Czeczotka, Aleksandra Mazur, Tomek Drozd, Adam Wasilewski, Michał Sokołowski
• consruction: Industria Project
• installations: Elsanteam, eNNpro, WN-PROJEKT, BZB Projekt (sieci-procedury administracyjne), Marcin Wejner (sieci), Pracownia Projektowa Luksan (sieci, procedury administracyjne)
• road design: Seweryn Wróblewski
• signage: Joanna Katańska
• greenery design: Krzysztof Kass KASS-Architektura Krajobrazu
• conservation work programme: Archi-projekt Szymon Herman
• eexpert opinion on building physics: W-ART Robert Wójcik
• chemical and mycological tests: AONT Akademicki Ośrodek Naukowo-Techniczny
• investor: Echo Investment
• usable floor area: 11 762 m²
• design: 2021-2023
• realization: od 2023
• investment website: https://echo-fuzja.pl/lofty

The G02 building consists of two parts: a two-storey printing shop, drapery, ink kitchen and drying room built at the end of the 19th century, and an engraving and rolling mill added in the early 20th century. The expansion of the building is reflected in the façade: the lower part has arched vaulted windows, the upper part has arched vaults only on the ground floor, with modernist rectangular large-format windows above. The local development plan allows for the superstructure of the building. This provided the potential to create a diverse range of flats: from tall loft flats with mezzanine floors directly adjacent to the existing walls, to standard height flats located in the new superstructure. The project was developed in close collaboration with the Provincial Office for Historic Preservation. A number of analytical studies were produced to help us place the new function in the old walls in the best possible way.

• location: Poland, Katowice, Tysiąclecia Estate
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Maria Jaksik-Fikus, Łukasz Iwan, Paulina Kałużna, Maciej Nowak, Maciej Orlicz, Maciej Szeremeta, Tomasz Toczek, Jarosław Przybyłka, Jakub Świdziński, Michał Sokołowski, Tomasz Drozd, Mateusz Małecki, Aleksandra Mazur, Małgorzata Kasińska, Krzysztof Weber
• investor: Henniger Investment
• construction: KZ Studio Projektowe
• installations: WNprojekt, Elsanteam, Ennpro
• greenery design: Krzysztof Kass
• road design: Seweryn Wróblewski
• signage: Natalia Pietruszewska
• plot area: 3,2 ha
• usable floor area: ~29 000 sqm
• design: 2021-23
• realization: since 2023

• location: Poland, Łódź, ul. Tymienieckiego 13b
• architects: Przemo Łukasik, Łukasz Zagała
• associate architects: Dawid Beil, Małgorzata Czechowicz, Justyna Siwińska-Pszoniak, Monika Węglińska-Szymczak, Marcin Lech, Paulina Słocińska, Sebastian Dziedzic, Andrzej Dukalski, Agnieszka Majcher-Lisowicz, Marta Präg, Adela Czeczotka, Małgorzata Kasińska, Łukasz Chmiel, Karolina Gil, Grzegorz Pietraszuk, Michał Bienek, Jakub Koźlik, Aleksandra Mazur, Mateusz Małecki, Tomek Drozd, Adam Wasilewski, Michał Sokołowski
• construction: Industria Project
• industries: Elsanteam, eNNpro, WN-PROJEKT, BZB Projekt (networks-administrative procedures), Marcin Wejner (networks), Pracownia Projektowa Luksan (networks, administrative procedures)
• road design: Seweryn Wróblewski
• signage: Wunder Fabrik
• greenery design: Krzysztof Kass KASS-Architektura Krajobrazu
• programme of conservation work on the building: Archi-projekt Szymon Herman
• programme of polychrome conservation works: Pracownia Konservacji Architektury Malarstwa i Rzeźby Restauro (Conservation Studio of Architecture, Painting and Sculpture Restauro)
• building physics expertise: W-ART Robert Wójcik
• investor: Echo Investment
• usable floor area: 8 840 sqm
• design: 2021-2022
• realization: since 2022
• investment site: https://echo-fuzja.pl/lofty
• awards: distinction in international competition of the Schock Group